Antiracism and Black Liberation

Ballots and Bullets

Ballots and Bullets

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On July 23, 1968, police in Cleveland battled with black nationalists.The dramatic shootout in the Glenville neighborhood left ten dead and over fifteen wounded. The event sparked days of heavy rioting and raised myriad questions. Were these shootings an ambush by the nationalists? Or were the nationalists defending themselves from an imminent police assault? Mystery still surrounds how the urban warfare started and the role the FBI might have played in its origin.
Cleveland's story intersected with with some of the most important African American figures of the time. Dr. Martin Luther King and Malcolm X both came to Cleveland, shaping the debate over how to address systemic racism. Should it be with nonviolence or armed self-defense? Malcolm X first delivered his iconic "The Ballot or the Bullet" speech in Cleveland. Three years later, in 1967, Carl Stokes, with King's help, became the first black mayor of a major US city. The ballot seemed to have triumphed over the bullet--and then Dr. King was assassinated. In the spring of 1968, while Mayor Stokes kept peace in Cleveland and Bobby Kennedy came to deliver his "Mindless Menace of Violence" speech, nationalists used an antipoverty program Stokes created in King's honor to buy rifles and ammunition.
Ballots and Bullets examines the revolutionary calls for addressing racism through guerrilla warfare in America's streets. It also puts into perspective the political aftermath, as racial violence and rebellions in most American cities led to white backlash and provided lift to the counterrevolution that brought Richard Nixon to power, effectively marking an end to President Johnson's "War on Poverty."
Fifty years later, many politicians still call for "law and order" to combat urban unrest. The Black Lives Matter movement and continued instances of police misconduct and brutality show that the cycle of race-based violence continues. The root causes--racism and poverty--remain largely unaddressed.
Black Lives Matter - 10 pack of postcards

Black Lives Matter - 10 pack of postcards

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Pack of 10 handmade letterpress postage-paid Black Lives Matter postcard from St. Brigid Press in Virginia. With the stamp included, you have no excuse not to write to your elected officials to call on them to make substantive changes in your community to protect and nurture ALL Black lives.

Black Lives matter - postcard

Black Lives matter - postcard

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Handmade letterpress *postage-paid* Black Lives Matter postcard from St. Brigid Press in Virginia. With the stamp included, you have no excuse not to write to your elected officials to call on them to make substantive changes in your community to protect and nurture ALL Black lives.

Caste (10% off!)

Caste

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#1 NEW YORK TIMES BESTSELLER - OPRAH'S BOOK CLUB PICK - LONGLISTED FOR THE NATIONAL BOOK AWARD - "An instant American classic and almost certainly the keynote nonfiction book of the American century thus far."--Dwight Garner, The New York Times

The Pulitzer Prize-winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions.

NAMED THE #1 NONFICTION BOOK OF THE YEAR BY TIME MAGAZINE AND ONE OF THE TEN BEST BOOKS OF THE YEAR BY People - The Washington Post - Publishers Weekly AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review - O: The Oprah Magazine - NPR - Bloomberg - Christian Science Monitor - The New York Public Library - Fortune - Smithsonian Magazine - Marie Claire - Town & Country - Slate - Library Journal - Kirkus Reviews - LibraryReads - PopMatters

"As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power--which groups have it and which do not."

In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings.

Beyond race, class, or other factors, there is a powerful caste system that influences people's lives and behavior and the nation's fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people--including Martin Luther King, Jr., baseball's Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others--she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

Beautifully written, original, and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of American life today.

NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • The Pulitzer Prize–winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions.

LONGLISTED FOR THE NATIONAL BOOK AWARD • “An instant American classic.”—Dwight Garner, The New York Times

“As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.”

In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings.

Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

Beautifully written, original, and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of American life today.

Citizen

Citizen

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* Finalist for the National Book Award in Poetry *
* Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award *

ONE OF THE BEST BOOKS OF THE YEAR:

The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . .

A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.

Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named post-race society.

Driving While Black

Driving While Black

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It's hardly a secret that mobility has always been limited, if not impossible, for African Americans. Before the Civil War, masters confined their slaves to their property, while free black people found themselves regularly stopped, questioned, and even kidnapped. Restrictions on movement before Emancipation carried over, in different forms, into Reconstruction and beyond; for most of the 20th century, many white Americans felt blithely comfortable denying their black countrymen the right to travel freely on trains and buses. Yet it became more difficult to shackle someone who was cruising along a highway at 45 miles per hour.

In Driving While Black, the acclaimed historian Gretchen Sorin reveals how the car--the ultimate symbol of independence and possibility--has always held particular importance for African Americans, allowing black families to evade the many dangers presented by an entrenched racist society and to enjoy, in some measure, the freedom of the open road. She recounts the creation of a parallel, unseen world of black motorists, who relied on travel guides, black only businesses, and informal communications networks to keep them safe. From coast to coast, mom and pop guest houses and tourist homes, beauty parlors, and even large hotels--including New York's Hotel Theresa, the Hampton House in Miami, or the Dunbar Hotel in Los Angeles--as well as night clubs and restaurants like New Orleans' Dooky Chase and Atlanta's Paschal's, fed travelers and provided places to stay the night. At the heart of Sorin's story is Victor and Alma Green's famous Green Book, a travel guide begun in 1936, which helped grant black Americans that most basic American rite, the family vacation.

As Sorin demonstrates, black travel guides and black-only businesses encouraged a new way of resisting oppression. Black Americans could be confident of finding welcoming establishments as they traveled for vacation or for business. Civil Rights workers learned where to stay and where to eat in the South between marches and protests. As Driving While Black reminds us, the Civil Rights Movement was just that--a movement of black people and their allies in defiance of local law and custom. At the same time, she shows that the car, despite the freedoms it offered, brought black people up against new challenges, from segregated ambulance services to unwarranted traffic stops, and the racist violence that too often followed.

Interwoven with Sorin's own family history and enhanced by dozens of little known images, Driving While Black charts how the automobile fundamentally reshaped African American life, and opens up an entirely new view onto one of the most important issues of our time.

From #blacklivesmatter to Black Liberation

From #blacklivesmatter to Black Liberation

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Winner of the 2016 Lannan Cultural Freedom Prize for an Especially Notable Book

"Keeanga-Yamahtta Taylor's searching examination of the social, political and economic dimensions of the prevailing racial order offers important context for understanding the necessity of the emerging movement for black liberation."
--Michelle Alexander

The eruption of mass protests in the wake of the police murders of Michael Brown in Ferguson, Missouri and Eric Garner in New York City have challenged the impunity with which officers of the law carry out violence against Black people and punctured the illusion of a postracial America. The Black Lives Matter movement has awakened a new generation of activists.

In this stirring and insightful analysis, activist and scholar Keeanga-Yamahtta Taylor surveys the historical and contemporary ravages of racism and persistence of structural inequality such as mass incarceration and Black unemployment. In this context, she argues that this new struggle against police violence holds the potential to reignite a broader push for Black liberation.
I Am Not Your Negro

I Am Not Your Negro

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National Bestseller

In his final years, Baldwin envisioned a book about his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King. His deeply personal notes for the project had never been published before acclaimed filmmaker Raoul Peck mined Baldwin's oeuvre to compose his stunning documentary film

I Am Not Your Negro.

Peck weaves these texts together, brilliantly imagining the book that Baldwin never wrote with selected published and unpublished passages, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Peck's film uses them to jump through time, juxtaposing Baldwin's private words with his public statements, in a blazing examination of the tragic history of race in America.

This edition contains more than 40 black-and-white images from the film.

Nominated for the Academy Award for Best Documentary

In Our Terribleness (Some Elements and Meaning in Black Style) (USED)
In Our Terribleness (Some Elements and Meaning in Black Style) (USED)

In Our Terribleness (Some Elements and Meaning in Black Style)

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Amiri Baraka was a poet and co-founder of the Black Arts Movement in the 1960's. He collaborated with photographer Fundi (Billy Abernathy) to create In Our Terribleness, a poetic-photographic essay that "both re-creates and defines black life for the black reader" (New York Times, February 14, 1971). This unique book combines elements of poetry, photography, and art. As Ron Welborn wrote in the New York Times, "Couched in the language of the streets and intoned with the rhythms of jazz, it is both an expression and evocation of the rudiments of blackness."

Indianapolis: The Bobbs-Merrill Company, Inc., 1970. Imamu Amiri Baraka (LeRoi Jones) and Fundi (Billy Abernathy). 1st printing. Dust jacket in protective mylar cover; creased with several tears, some repaired with scotch tape; 1/2" at head of spine missing; corners worn; black cloth with silver lettering on spine; bottom corners bumped; gift inscription facing page 5; all elements intact, including mirror on page 5; text clean and bright. Scarce. G+/G-

Separate

Separate

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Separate is a myth-shattering narrative of one of the most consequential Supreme Court cases of the nineteenth century, Plessy v. Ferguson. The 1896 ruling embraced racial segregation, and its reverberations are still felt today. Drawing on letters, diaries, and archival collections, Steve Luxenberg reveals the origins of racial separation and its pernicious grip on American life. He tells the story through the lives of the people caught up in the case: Louis Martinet, who led the resisters from the mixed-race community of French New Orleans; Albion Tourgée, a best-selling author and the country's best-known white advocate for civil rights; Justice Henry Billings Brown, from antislavery New England, whose majority ruling sanctioned separation; Justice John Harlan, the Southerner from a slaveholding family whose singular dissent cemented his reputation as a steadfast voice for justice. Sweeping, swiftly paced, and richly detailed, Separate is an urgently needed exploration of our nation's most devastating divide.

Sister Citizen

Sister Citizen

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This groundbreaking book brings to light derogatory stereotypes that shape the experiences of African American women, then assesses the emotional and political costs of the struggle to counteract such negative assumptions.
Sister Outsider

Sister Outsider

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The leader of contemporary feminist theory discusses such issues as racism, self-acceptance, and mother- and woman-hood.
The Fire Next Time

The Fire Next Time

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A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters, " written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose, " The Fire Next Time stands as a classic of our literature.
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The Marrow of Tradition

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On November 10, 1898, a mob of 400 rampages through the streets of Wilmington, North Carolina, killing as many as 60 citizens, burning down the newspaper office, overthrowing the newly elected leaders, and installing a new white supremacist government. The Wilmington Race Riots--also known as the Wilmington Insurrection and the Wilmington Massacre, is the only coup d'etat on American soil. The violence was prompted by the increasing political powers African Americans in the town were gaining during Reconstruction. The Marrow of Tradition is a fictionalized account of this important, under-studied event. Charles W. Chesnutt, an African American writer from North Carolina who lived in Cleveland as an adult and was the first black professional writer in the nation, narrates the story of "Wellington" North Carolina through William Miller, a black doctor, and his wife, Janet, who is both black and the unclaimed daughter of a prominent white businessman. Along with dozens of other characters, including a black domestic servant whose speech is rendered in vernacular dialect, they create a composite of Reconstruction and the violent racial politics created in backlash. The novel is also a masterful work of art that stands on its own: gripping, nuanced, and wholly original.
The Sword and the Shield

The Sword and the Shield

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This dual biography of Malcolm X and Martin Luther King upends longstanding preconceptions to transform our understanding of the twentieth century's most iconic African American leaders.
To most Americans, Malcolm X and Martin Luther King Jr. represent contrasting ideals: self-defense vs. nonviolence, black power vs. civil rights, the sword vs. the shield. The struggle for black freedom is wrought with the same contrasts. While nonviolent direct action is remembered as an unassailable part of American democracy, the movement's militancy is either vilified or erased outright. In The Sword and the Shield, Peniel E. Joseph upends these misconceptions and reveals a nuanced portrait of two men who, despite markedly different backgrounds, inspired and pushed each other throughout their adult lives. This is a strikingly revisionist biography, not only of Malcolm and Martin, but also of the movement and era they came to define.
THEY CAN'T KILL US UNTIL THEY KILL US

THEY CAN'T KILL US UNTIL THEY KILL US

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*2018 "12 best books to give this holiday season" --TODAY Show
*Best Books of 2018 --Rolling Stone
"A Best Book of 2017" --NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily
*American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'
*Midwest Indie Bestseller

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others--along with original, previously unreleased essays--Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

"Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." --Greil Marcus, Village Voice

WE MADE IT TO SCHOOL ALIVE

WE MADE IT TO SCHOOL ALIVE

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Quartez Harris is the author of the debut full-length poetry collection We Made It To School Alive, published by Twelve Arts Press. The collection eloquently centers the humanity of students of color while revealing how they establish self-worth and optimism in spite of a backdrop of structural barriers.

What Doesn't Kill You Makes You Blacker

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A Finalist for the NAACP Image Award

Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay

An NPR Best Book of the Year

A Washington Independent Review of Books Favorite of the Year

From the cofounder of VerySmartBrothas.com, and one of the most read writers on race and culture at work today, a provocative and humorous memoir-in-essays that explores the ever-shifting definitions of what it means to be Black (and male) in America

For Damon Young, existing while Black is an extreme sport. The act of possessing black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as "How should I react here, as a professional black person?" and "Will this white person's potato salad kill me?" are forever relevant.

What Doesn't Kill You Makes You Blacker chronicles Young's efforts to survive while battling and making sense of the various neuroses his country has given him.

It's a condition that's sometimes stretched to absurd limits, provoking the angst that made him question if he was any good at the "being straight" thing, as if his sexual orientation was something he could practice and get better at, like a crossover dribble move or knitting; creating the farce where, as a teen, he wished for a white person to call him a racial slur just so he could fight him and have a great story about it; and generating the surreality of watching gentrification transform his Pittsburgh neighborhood from predominantly Black to "Portlandia . . . but with Pierogies."

And, at its most devastating, it provides him reason to believe that his mother would be alive today if she were white.

From one of our most respected cultural observers, What Doesn't Kill You Makes You Blacker is a hilarious and honest debut that is both a celebration of the idiosyncrasies and distinctions of Blackness and a critique of white supremacy and how we define masculinity.

Zami : A New Spelling of My Name: a Biomythography (USED)

Zami : A New Spelling of My Name: a Biomythography (USED)

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"ZAMI is a fast-moving chronicle. From the author's vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde's work is cyclical. It especially relates the linkage of women who have shaped her . . . Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page."--Off Our Backs