NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post - New York Public Library - Real Simple

In 1937, twenty-eight-year-old Martha Gellhorn travels alone to Madrid to report on the atrocities of the Spanish Civil War and becomes drawn to the stories of ordinary people caught in the devastating conflict. It's her chance to prove herself a worthy journalist in a field dominated by men. There she also finds herself unexpectedly--and unwillingly--falling in love with Ernest Hemingway, a man on his way to becoming a legend.

On the eve of World War II, and set against the turbulent backdrops of Madrid and Cuba, Martha and Ernest's relationship and careers ignite. But when Ernest publishes the biggest literary success of his career, For Whom the Bell Tolls, they are no longer equals, and Martha must forge a path as her own woman and writer.

Heralded by Ann Patchett as "the new star of historical fiction," Paula McLain brings Gellhorn's story richly to life and captures her as a heroine for the ages: a woman who will risk absolutely everything to find her own voice.

Praise for Love and Ruin

"In this heart-tugging follow-up [to The Paris Wife], we meet Martha Gellhorn, a correspondent during the Spanish Civil War, who was the third--and perhaps most intriguing--of [Hemingway's] wives. The title says it all."--People

"Propulsive . . . highly engaging . . . McLain does an excellent job portraying a woman with dreams who isn't afraid to make them real. . . . Her work around the world . . . is presented in meticulous, hair-raising passages. . . . The book is fueled by her questing spirit, which asks, Why must a woman decide between being a war correspondent and a wife in her husband's bed?"--The New York Times Book Review

"[The] scenes of professional rivalry and seesawing imbalance are some of McLain's best. . . . McLain's legions of fans will relish the inspiration of a gutsy woman who discovers she doesn't need a man at her side, after all."--The Boston Globe

With its defiance for any one tradition or voice, Thomas Sayers Ellis's debut becomes a powerful argument against monotony

A dream. A democracy. A savage liberty.
And yet another anthem and yet another heaven
and yet another party wants you.
Wants you wants you wants you.
--from "Groovallegiance"

In one poem, Thomas Sayers Ellis prognosticates, "Pretty soon, the Age of the Talk Show / Will slip on a peel left in the avant- gutter." The result is The Maverick Room, the testing ground of determination and serendipity, where call-and-response becomes Steinian echo becomes Post-Soul percussive pleasure becomes a bootlegged recording hustled out of a D.C. go-go club.

This is the story of what happened after Fox Street.

Mo Wren knew that eventually she, her dad, and her sister, Wild Child Dottie, would have to move from beloved Fox Street. She just never expected it to happen so soon.

At the Wrens' new place, things are very different. The name of the street--East 213th--has absolutely zero magic. And there's no Mrs. Petrone to cut her hair, no Pi Baggott to teach her how to skateboard, no Green Kingdom to explore. She's having trouble fitting in at her new school and spending a lot of time using the corner bus shelter for her Thinking Spot. Worst of all, Mo discovers that the ramshackle restaurant Mr. Wren bought is cursed. Only Dottie, with her new friends and pet lizard, Handsome, is doing the dance of joy.

For the first time in her life, Mo feels lost and out of place. It's going to take a boy who tells whoppers, a Laundromat with a mysterious owner, a freak blizzard, and some courage to help her find her way home for good.

Readers of Kate DiCamillo and Sheila Turnage will love Moonpenny Island, a middle grade novel of friendship and secrets by the beloved and acclaimed Tricia Springstubb.

Moonpenny is a tiny island in a great lake. When the summer people leave and the ferries stop running, just the tried-and-true islanders are left behind. Flor and her best, her perfect friend, Sylvie, are the only eleven-year-olds for miles and miles--and Flor couldn't be happier. But come the end of summer, unthinkable things begin to happen. Sylvie is suddenly, mysteriously, whisked away to school on the mainland. Flor's mother leaves to take care of Flor's sick grandmother and doesn't come back. Her big sister has a secret, and Flor fears it's a dangerous one.

Meanwhile, a geologist and his peculiar daughter arrive to excavate prehistoric trilobites, one of the first creatures to develop sight. Soon Flor is helping them. As her own ability to see her life on this little lump of limestone evolves, she faces truths about those she loves--and about herself--she never imagined.

One of Goodreads' Best Books of the Month (May 2017)
One of BuzzFeed's 31 Incredible New Books You Need to Read This Spring
One of The Millions' Most Anticipated Books of the Year

A HUMOROUS AND TENDER MULTIGENERATIONAL NOVEL ABOUT IMMIGRANTS AND OUTSIDERS--THOSE TRYING TO FIND THEIR PLACE IN AMERICAN SOCIETY AND WITHIN THEIR OWN FAMILIES

In a suburb outside Cleveland, a community of Indian Americans has settled into lives that straddle the divide between Eastern and Western cultures. For some, America is a bewildering and alienating place where coworkers can't pronounce your name but will eagerly repeat the Sanskrit phrases from their yoga class. Harit, a lonely Indian immigrant in his mid forties, lives with his mother who can no longer function after the death of Harit's sister, Swati. In a misguided attempt to keep both himself and his mother sane, Harit has taken to dressing up in a sari every night to pass himself off as his sister. Meanwhile, Ranjana, also an Indian immigrant in her mid forties, has just seen her only child, Prashant, off to college. Worried that her husband has begun an affair, she seeks solace by writing paranormal romances in secret. When Harit and Ranjana's paths cross, they begin a strange yet necessary friendship that brings to light their own passions and fears.

Rakesh Satyal's No One Can Pronounce My Name is a distinctive, funny, and insightful look into the lives of people who must reconcile the strictures of their culture and traditions with their own dreams and desires.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People - Chicago Tribune - NPR - The Philadelphia Inquirer - Kirkus Reviews - The Toronto Sun - BookPage

Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has all but given up on love and happiness--until she meets Ernest Hemingway. Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group--the fabled "Lost Generation"--that includes Gertrude Stein, Ezra Pound, and F. Scott Fitzgerald.

Though deeply in love, the Hemingways are ill prepared for the hard-drinking, fast-living, and free-loving life of Jazz Age Paris. As Ernest struggles to find the voice that will earn him a place in history and pours himself into the novel that will become The Sun Also Rises, Hadley strives to hold on to her sense of self as her roles as wife, friend, and muse become more challenging. Eventually they find themselves facing the ultimate crisis of their marriage--a deception that will lead to the unraveling of everything they've fought so hard for.

A heartbreaking portrayal of love and torn loyalty, The Paris Wife is all the more poignant because we know that, in the end, Hemingway wrote that he would rather have died than fallen in love with anyone but Hadley.

Praise for The Paris Wife

"McLain smartly explores Hadley's ambivalence about her role as supportive wife to a budding genius.... Women and book groups are going to eat up this novel." --USA Today

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When Mama got a new baby, Phoebe got a new digger. And when Mama is busy with the baby, Phoebe and Digger are busy, too: "Waa!" says the baby. "Rmm!" says Digger. Poop! goes the baby. "Rmm!" says Digger. Finally, Mama says it's time to go to the park, the one with real dirt -- and while Mama and the baby sit on the boring bench, Phoebe and Digger happily build and knock down and dig things up. That is, until a big girl comes by, a kid with mean teeth and grabby hands. Phoebe tries everything she can, but what if she never gets Digger back? Comical illustrations and a spot-on story are sure to make readers of all ages smile in recognition.