Graphic Novels
The first-ever graphic biography of Paul Robeson, Ballad of an American, charts Robeson's career as a singer, actor, scholar, athlete, and activist who achieved global fame. Through his films, concerts, and records, he became a potent symbol representing the promise of a multicultural, multiracial American democracy at a time when, despite his stardom, he was denied personal access to his many audiences.
Robeson was a major figure in the rise of anti-colonialism in Africa and elsewhere, and a tireless campaigner for internationalism, peace, and human rights. Later in life, he embraced the civil rights and antiwar movements with the hope that new generations would attain his ideals of a peaceful and abundant world. Ballad of an American features beautifully drawn chapters by artist Sharon Rudahl, a compelling narrative about his life, and an afterword on the lasting impact of Robeson's work in both the arts and politics. This graphic biography will enable all kinds of readers--especially newer generations who may be unfamiliar with him--to understand his life's story and everlasting global significance.Ballad of an American: A Graphic Biography of Paul Robeson is published in conjunction with Rutgers University's centennial commemoration of Robeson's 1919 graduation from the university.
View the blad for Ballad of an American.
In The Beats: A Graphic History, those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation.
What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations--from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo's disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago's College of Complexes to San Francisco's famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats' most recognizable faces. What emerges is a brilliant collage of--and tribute to--a generation, in a form and style that is as original as its subject.
Oliver Wendell "Ollie" Harrington (February 14, 1912 – November 2, 1995) was an American cartoonist and outspoken advocate against racism and for civil rights in the United States. Langston Hughes called him America's greatest African-American cartoonist. He became immersed in the Harlem Renaissance, and in 1935, Harrington created Dark Laughter, a regular single panel cartoon, for the Amsterdam News. The strip was later retitled Bootsie, after its most famous character, an ordinary African American dealing with racism in the U.S. Harrington described him as "a jolly, rather well-fed but soulful character."
This first edition 1958 compilation of a selection of Bootsie cartoons has an introduction by Langston Hughes; dust jacket in protective cover; some tears covered with scotch tape; yellow cloth with green lettering on spine; binding tight; text clean and bright. VG/G+
Oliver Wendell "Ollie" Harrington (February 14, 1912 – November 2, 1995) was an American cartoonist and outspoken advocate against racism and for civil rights in the United States. Langston Hughes called him America's greatest African-American cartoonist. He became immersed in the Harlem Renaissance, and in 1935, Harrington created Dark Laughter, a regular single panel cartoon, for the Amsterdam News. The strip was later retitled Bootsie, after its most famous character, an ordinary African American dealing with racism in the U.S. Harrington described him as "a jolly, rather well-fed but soulful character."
1st edition; introduction by Langston Hughes; no dust jacket; yellow cloth with green lettering on spine; spine slightly tanned; former owner's bookplate in bottom left corner of pastedown; binding tight; text clean and bright. VG
#1 NEW YORK TIMES BESTSELLER - WALL STREET JOURNAL BESTSELLER - USA TODAY BESTSELLER
"The Boy, the Mole, the Fox and the Horse is not only a thought-provoking, discussion-worthy story, the book itself is an object of art."- Elizabeth Egan, The New York Times
From British illustrator, artist, and author Charlie Mackesy comes a journey for all ages that explores life's universal lessons, featuring 100 color and black-and-white drawings.
"What do you want to be when you grow up?" asked the mole.
"Kind," said the boy.
Charlie Mackesy offers inspiration and hope in uncertain times in this beautiful book, following the tale of a curious boy, a greedy mole, a wary fox and a wise horse who find themselves together in sometimes difficult terrain, sharing their greatest fears and biggest discoveries about vulnerability, kindness, hope, friendship and love. The shared adventures and important conversations between the four friends are full of life lessons that have connected with readers of all ages.
Time Magazine #1 Book of the Year - National Book Critics Circle Award Finalist -
Winner of the Stonewall Book Award - Double finalist for the Lambda Book Award -
Nominated for the GLAAD Media Award
Alison Bechdel's groundbreaking, bestselling graphic memoir that charts her fraught relationship with her late father.
Distant and exacting, Bruce Bechdel was an English teacher and director of the town funeral home, which Alison and her family referred to as the "Fun Home." It was not until college that Alison, who had recently come out as a lesbian, discovered that her father was also gay. A few weeks after this revelation, he was dead, leaving a legacy of mystery for his daughter to resolve. In her hands, personal history becomes a work of amazing subtlety and power, written with controlled force and enlivened with humor, rich literary allusion, and heartbreaking detail.
THE TOVE JANSSON CLASSIC IN A NEW SOFTCOVER FORMAT
Due to the resounding success of the hardcover Moomin comics by Tove Jansson and Lars Jansson, D+Q is reissuing this classic comic in an all-new format. Available in an affordable kid-proof but kid-friendly flexicover, and in full color for the first time, these books are slimmer versions of the hardcovers, with one story in each volume while previous editions collected four.
Moomin's Winter Follies Moomin wakes up one morning to find the pond frozen over, and rather than hibernate, the family decides to brave the winter weather. At first, their wintry adventure seems to be going swimmingly, until Mr. Brisk of the Great Outdoors Club takes over and forces everyone to embrace the winter sports, whether they want to or not.
BEST OF THE YEAR NODS FROM AMAZON, THE WASHINGTON POST, AND USA TODAY'S POP CANDY BLOG!
"For years I've encountered Lisa Hanawalt's comics and illustrations piecemeal -- in various magazines and periodicals. They're always a pleasant jolt. Now, they've been assembled into one thick, blazing bludgeon. I envy you getting walloped by them all for the first time. This is a Hanawalt assault. Succumb."-Patton Oswalt
"Hanawalt's My Dirty Dumb Eyes is a fantastically vivid and whimsical playground, offering page after page of absurdity, humor, and charm. The artwork is stunning and the jokes are surprising and fresh. This book is a rare and wonderful invitation inside the surreal world of Hanawalt."--Kristen Schaal
"Lisa Hanawalt is as gifted of an artist as she is a hilarious writer, which is completely upsetting and unfair considering how untalented most people in this stupid world are. Her comics are brilliantly funny, gloriously weird, and visually stunning. I worship the chair she farts on."--Julie Klausner
My Dirty Dumb Eyes introduces Lisa Hanawalt as a first-rank cartoonist/humorist/stalker for an audience that likes its humor idiosyncratic, at times anthropomorphic or scatological, often uncomfortable, and always sharp witted. Her world vision is intricately rendered in a full spectrum of color, unapologetically gorgeous and intensely bizarre. With movie reviews, tips for her readers, laugh-out-loud lists and short pieces such as "Rumors I've Heard About Anna Wintour," and "The Secret Lives of Chefs," Hanawalt's comedy shines, making the quotidian silly and surreal, flatulent and facetious.
Hanawalt's comics have appeared in the Hairpin, VanityFair.com, the New York Times, and the Believer. She lives in Brooklyn with a dog and a comedian.
NATIONAL BESTSELLER
2013 ALA/YALSA Alex Award
2014 Revelation Award at Angoulême
2015 ALA/YALSA Alex Award (Excellence in Narrative Nonfiction)
Named a BEST OF 2012 by Time, The Village Voice, A.V. Club, comiXology, Boing Boing, Publishers Weekly, MTV Geek, and more!
You only think you know this story. In 1991, Jeffrey Dahmer--the most notorious serial killer since Jack the Ripper--seared himself into the American consciousness. To the public, Dahmer was a monster who committed unthinkable atrocities. To Derf Backderf, "Jeff" was a much more complex figure: a high school friend with whom he had shared classrooms, hallways, and car rides. In My Friend Dahmer, a haunting and original graphic novel, writer-artist Backderf creates a surprisingly sympathetic portrait of a disturbed young man struggling against the morbid urges emanating from the deep recesses of his psyche--a shy kid, a teenage alcoholic, and a goofball who never quite fit in with his classmates. With profound insight, what emerges is a Jeffrey Dahmer that few ever really knew, and one readers will never forget.
Also available by Derf Backderf, Trashed.
Find teaching guides for My Friend Dahmer and other titles at abramsbooks.com/resources.
"Poised to inspire a new generation of naturalists." - Publishers Weekly
A vibrant graphic adaptation of the classic science memoir Regarded as one of the world's preeminent biologists, Edward O. Wilson spent his boyhood exploring the forests and swamps of south Alabama and the Florida panhandle, collecting snakes, butterflies, and ants--the latter to become his lifelong specialty. His memoir Naturalist, called "one of the finest scientific memoirs ever written" by the Los Angeles Times, is an inspiring account of Wilson's growth as a scientist and the evolution of the fields he helped define. This graphic edition, adapted by New York Times bestselling comics writer Jim Ottaviani and illustrated by C.M.Butzer, brings Wilson's childhood and celebrated career to life through dynamic full-color illustrations and Wilson's own lyric writing. In this adaptation of Naturalist, vivid illustrations draw readers in to Wilson's lifelong quest to explore and protect the natural world. His success began not with an elite education but an insatiable curiosity about Earth's wild creatures, and this new edition of Naturalist makes Wilson's work accessible for anyone who shares his passion. On every page, striking art adds immediacy and highlights the warmth and sense of humor that sets Wilson's writing apart. Naturalist was written as an invitation--a reminder that curiosity is vital and scientific exploration is open to all of us. Each dynamic frame of this graphic adaptation deepens Wilson's message, renewing his call to discover and celebrate the little things of the world.
The Night Bookmobile is a haunting tale of both transcendence and the passion for books, and features the evocative full-color pen-and-ink work of one of the world's most beloved storytellers.
There is a silent epidemic in America: loneliness. Shameful to talk about and often misunderstood, loneliness is everywhere, from the most major of metropolises to the smallest of towns. In Seek You, Kristen Radtke's wide-ranging exploration of our inner lives and public selves, Radtke digs into the ways in which we attempt to feel closer to one another, and the distance that remains. Through the lenses of gender and violence, technology and art, Radtke ushers us through a history of loneliness and longing, and shares what feels impossible to share. Ranging from the invention of the laugh-track to the rise of Instagram, the bootstrap-pulling cowboy to the brutal experiments of Harry Harlow, Radtke investigates why we engage with each other, and what we risk when we turn away. With her distinctive, emotionally-charged drawings and deeply empathetic prose, Kristen Radtke masterfully shines a light on some of our most vulnerable and sublime moments, and asks how we might keep the spaces between us from splitting entirely.
New York: Cupples & Leon Company, 1929. Second book in the Smitty Series of Walter Berndt comic strips, which were originally published in The Chicago Tribune. Pictorial boards with blue cloth spine; spine frayed, faded, scuffed; covers soiled and scuffed; corners bumped; inner hinges cracked at endpapers, but binding is tight and interior is clean. G
"Imagine if David Sedaris could draw....Enchanting." --People
"One of the best things I've ever read in my life." --Marc Maron
"Will make you laugh until you sob, even when Brosh describes her struggle with depression." --Entertainment Weekly
"I would gladly pay to sit in a room full of people reading this book, merely to share the laughter." --The Philadelphia Inquirer
"In a culture that encourages people to carry mental illness as a secret burden....Brosh's bracing honesty is a gift." --Chicago Tribune
Frans Masereel (1889-1972) was a Belgian painter and wood engraver who illustrated books by Oscar Wilde, Emile Zola, and Leo Tolstoy. He was most widely known for his novels-without-words and for his antiwar woodcuts that appeared in magazines and newspapers in Europe in the early twentieth century.
This edition of Masereel's wordless novel, The Sun, comes in a box and includes 4 postcards with reproductions of Masereel's woodcuts, as well as a fold-out poster; box scuffed; right edge of box broken at corners; book, postcards, and poster in pristine condition. VG/G
In time for the 75th anniversary of the Man of Steel, comes the first comprehensive literary biography of Joe Shuster and Jerry Siegel, creators of the DC Comics superhero Superman and the inspiration for Michael Chabon's Kavalier and Clay
Drawing on ten years of research in the trenches of Cleveland libraries, boarded-up high schools, and secret, private collections, and a love of comic books, Brad Ricca's Super Boys is the first ever full biography about Superman's creators. Among scores of new discoveries, the book reveals the first stories and pictures ever published by the two, where the first Superman story really came from, the real inspiration for Lois Lane, the template for Superman's costume, and much, much more. Super Boys also tracks the boys' unknown, often mysterious lives after they left Superman, including Siegel's secret work during World War II and never-before-seen work from Shuster.
Super Boys explains, finally, what exactly happened with the infamous check for $130 that pulled Superman away from his creators--and gave control of the character to the publisher. Ricca also uncovers the true nature of Jerry's father's death, a crime that has always remained a mystery. Super Boys is the story of a long friendship between boys who grew to be men and the standard that would be impossible for both of them to live up to.
Soon to be a major motion picture from director Bradley Jay Kaplan (Stealing Cars).
#1 NEW YORK TIMES BESTSELLER - WASHINGTON POST BESTSELLER - WALL STREET JOURNAL BESTSELLER - LOS ANGELES TIMES BESTSELLER
"I've always looked upon cartooning as comedy's last frontier. I have done stand-up, sketches, movies, monologues, awards show introductions, sound bites, blurbs, talk show appearances, and tweets, but the idea of a one-panel image with or without a caption mystified me. I felt like, yeah, sometimes I'm funny, but there are these other weird freaks who are actually funny. You can understand that I was deeply suspicious of these people who are actually funny." So writes the multitalented comedian Steve Martin in his introduction to A Wealth of Pigeons: A Cartoon Collection. In order to venture into this lauded territory of cartooning, he partnered with the heralded New Yorker cartoonist Harry Bliss. Steve shared caption and cartoon ideas, Harry provided impeccable artwork, and together they created this collection of humorous cartoons and comic strips, with amusing commentary about their collaboration throughout. The result: this gorgeous, funny, singular book, perfect to give as a gift or to buy for yourself.