Comics
Oliver Wendell "Ollie" Harrington (February 14, 1912 – November 2, 1995) was an American cartoonist and outspoken advocate against racism and for civil rights in the United States. Langston Hughes called him America's greatest African-American cartoonist. He became immersed in the Harlem Renaissance, and in 1935, Harrington created Dark Laughter, a regular single panel cartoon, for the Amsterdam News. The strip was later retitled Bootsie, after its most famous character, an ordinary African American dealing with racism in the U.S. Harrington described him as "a jolly, rather well-fed but soulful character."
This first edition 1958 compilation of a selection of Bootsie cartoons has an introduction by Langston Hughes; dust jacket in protective cover; some tears covered with scotch tape; yellow cloth with green lettering on spine; binding tight; text clean and bright. VG/G+
Oliver Wendell "Ollie" Harrington (February 14, 1912 – November 2, 1995) was an American cartoonist and outspoken advocate against racism and for civil rights in the United States. Langston Hughes called him America's greatest African-American cartoonist. He became immersed in the Harlem Renaissance, and in 1935, Harrington created Dark Laughter, a regular single panel cartoon, for the Amsterdam News. The strip was later retitled Bootsie, after its most famous character, an ordinary African American dealing with racism in the U.S. Harrington described him as "a jolly, rather well-fed but soulful character."
1st edition; introduction by Langston Hughes; no dust jacket; yellow cloth with green lettering on spine; spine slightly tanned; former owner's bookplate in bottom left corner of pastedown; binding tight; text clean and bright. VG
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--Jia Tolentino From Samantha Irby--beloved author of New York Times bestseller We Are Never Meeting in Real Life--a rip-roaring, edgy and unabashedly raunchy new collection of hilarious essays. Irby is forty, and increasingly uncomfortable in her own skin despite what Inspirational Instagram Infographics have promised her. She has left her job as a receptionist at a veterinary clinic, has published successful books and has been friendzoned by Hollywood, left Chicago, and moved into a house with a garden that requires repairs and know-how with her wife in a Blue town in the middle of a Red state where she now hosts book clubs and makes mason jar salads. This is the bourgeois life of a Hallmark Channel dream. She goes on bad dates with new friends, spends weeks in Los Angeles taking meetings with "tv executives slash amateur astrologers" while being a "cheese fry-eating slightly damp Midwest person," "with neck pain and no cartilage in [her] knees," who still hides past due bills under her pillow.
The essays in this collection draw on the raw, hilarious particulars of Irby's new life. Wow, No Thank You. is Irby at her most unflinching, riotous, and relatable.