Graphic Novels

On a dark night, young genetic engineer Strig Feleedus is accidentally mutated by his own experiment and merges with the DNA of a cat and an owl. What follows is a humorous, action-driven, pulp-inspired superhero adventure-- with a lot of cat puns.

Lauded novelist Margaret Atwood and acclaimed artist Johnnie Christmas collaborate on one of the most highly anticipated comic book and literary events of the year!

Published in over thirty-five countries, Margaret Atwood is one of the most important living writers of our day and is the author of more than forty books of fiction, poetry, and critical essays. Her work has won the Man Booker Prize, the Giller Prize, Premio Mondello, and more. Angel Catbird is her first graphic novel series.

Atwood's The Blind Assassin was named one of Time magazine's 100 best English-language novels published since 1923 and her recent MaddAddam Trilogy is currently being adapted into an HBO television show by Darren Aronofsky

Reality's grip is loosened as Spyda and Lynxa explore a potentially constructed environment that shifts between dystopic future and constructed virtual present. Like a form of multistable perceptual phenomena, Anti-Gone exists in ambiguity.

Anti-Gone recalls videogames that attempt to replicate, or perhaps replace, reality. Often called virtual or synthetic worlds, massively multiplayer online worlds offer an escape into another identity, another life, where there isn't a goal or final boss like most videogames. Similarly, Anti-Gone is like Joyce with a joystick, the experience and the language of this otherworld is the meaning.

Connor Willumsen is a Montreal-based artist originally from Calgary, AB, where he received a design degree at the Alberta College of Art and Design. He began making comics while attending the School of Visual Arts in New York City. Since then, he has drawn stories for Marvel, DC, and Dynamite and illustrated the covers for Criterion editions of David Cronenberg's Scanners and Stanley Kubrick's The Killing. He has self-published a number of zines and comics and in 2014, Breakdown Press published volumes one and two of his book Treasure Island.

"Arai's English-language debut At 30, I Realized I Had No Gender isn't his first autobiographical manga, but it is something of a rarity in terms of what we tend to get in translation: it's about aging as a queer person and being comfortable with the changes that come along with it. [...] At 30, I Realized I Had No Gender is the open, frank, and honest discussion that sticks with you. If you're looking for a book that doesn't hold back and just speaks its mind about its creator's experiences as a human being, definitely pick this up." -- Rebecca Silverman, Anime News Network

"I had not really thought about cultural differences when it comes to non-binary / trans / intersex individuals in other countries besides the US. However, the same issues of language persist no matter where you live or culture you are from. [...] I liked this manga overall for the honesty and frankness, even in the smallest detail, like when Shou gives advice to a female-to-male individual who wants to know how to grow or present a better-looking beard. Something for truly everyone along the gender and sexuality spectrum." -- Patti Martinson, Sequential Tart

Bookseller Rachel says:

This autobiographical manga by intersex, transmasculine mangaka Arai Shou is a little silly, a lot relatable, and a very fascinating mirror to what our societies expect from us. Arai uses friendly stylization and dialogue to present the reader with many of the obstacles he faces as a gender minority within Japanese society. Thoughtful and heartfelt, At 30, I Realized I Had No Gender delves into the intersections of aging, gender role and societal expectations, and how one person found a place and role for himself as an outlier in our world.

In The Beats: A Graphic History, those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation.

What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations--from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo's disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago's College of Complexes to San Francisco's famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats' most recognizable faces. What emerges is a brilliant collage of--and tribute to--a generation, in a form and style that is as original as its subject.