Gliba Holiday 2020
Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery--in all its political, intellectual, and cultural forms--continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III's seminal work on the philosophy of Blackness.
Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, "at every scale of abstraction, violence saturates Black life."
And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson's seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters--whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.
Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.
The first-ever graphic biography of Paul Robeson, Ballad of an American, charts Robeson's career as a singer, actor, scholar, athlete, and activist who achieved global fame. Through his films, concerts, and records, he became a potent symbol representing the promise of a multicultural, multiracial American democracy at a time when, despite his stardom, he was denied personal access to his many audiences.
Robeson was a major figure in the rise of anti-colonialism in Africa and elsewhere, and a tireless campaigner for internationalism, peace, and human rights. Later in life, he embraced the civil rights and antiwar movements with the hope that new generations would attain his ideals of a peaceful and abundant world. Ballad of an American features beautifully drawn chapters by artist Sharon Rudahl, a compelling narrative about his life, and an afterword on the lasting impact of Robeson's work in both the arts and politics. This graphic biography will enable all kinds of readers--especially newer generations who may be unfamiliar with him--to understand his life's story and everlasting global significance.Ballad of an American: A Graphic Biography of Paul Robeson is published in conjunction with Rutgers University's centennial commemoration of Robeson's 1919 graduation from the university.
View the blad for Ballad of an American.
A personal, intimate photographic celebration of President Barack Obama, featuring over 200 rare and never-before seen images from the years prior to his presidency, from photographer, friend, and former aide David Katz
In 2004, David Katz worked alongside then Senate-hopeful Barack Obama as a photographer and personal aide. He spent approximately six days a week alongside the future president as Obama campaigned across downstate Illinois, and the two developed a close, professional, and personal relationship. What began as a long-shot Senate run culminated with the election of America's first African American president in 2008, which Katz also photographed.
During this time, David was never without his camera, capturing quotidian scenes from the life of a man who would soon become known the world over: a dad playing with his small daughters; a young unknown politician walking the streets of New York by himself with no one noticing; a devoted husband lovingly making faces at his wife in an elevator. In 2004, after seeing the unique and touching photographs David had amassed, Annie Leibovitz gave him some advice: "Don't release these photos of Obama for at least fifteen years. They need time to age."
Now, fifteen years later, Barack Before Obama is the treasury of these photographs. Pulled from an archive of more than ninety thousand images, every photograph in this volume is like nothing that has been seen before: the ease in which David captures the spirit and essence of one of our most beloved first families is unparalleled, and it is in this affectionate familiarity that his photographs sing. Warm, engaging captions tell the stories behind the photos--the surprise meeting with Nelson Mandela, the back room conversation before the rally, the emotion after sending one of the Obamas' daughters off to school--bringing readers closer than ever to the spirit and motivation behind the extraordinary man who became our forty-fourth president.
Barack Before Obama is a unique collection of images illustrating the making of an American icon. A moving document of an historic moment, it's the perfect gift for all those who want to remember it.
--We Are the Mighty In the winter of 1941, as Britain faced defeat on all fronts, an RAF reconnaissance pilot photographed an alien-looking object on the French coast near Le Havre. The mysterious device--a "Wurzburg Dish"--appeared to be a new form of radar technology: ultra-compact, highly precise, and pointed directly across the English Channel. Britain's experts found it hard to believe the Germans had mastered such groundbreaking technology. But one young technician thought it not only possible, he convinced Winston Churchill that the dish posed a unique and deadly threat to Allied forces, one that required desperate measures--and drastic action . . . Capturing the radar on film had been an amazing coup. Stealing it away from under the noses of the Nazis would be remarkable. So was launched Operation Biting, a mission like no other. An extraordinary "snatch-and-grab" raid on Germany's secret radar installation, it offered Churchill's elite airborne force, the Special Air Service, a rare opportunity to redeem themselves after a previous failed mission--and to shift the tides of war forever. Led by the legendary Major John Frost, these brave paratroopers would risk all in a daring airborne assault, with only a small stretch of beach menaced by enemy guns as their exit point. With the help of a volunteer radar technician who knew how to dismantle the dish, as well as the courageous men and women of the French Resistance, they succeeded against all odds in their act of brazen robbery. Some would die. Others would be captured. All fought with resolute bravery . . . This is the story of that fateful night of February 27, 1942. A brilliantly told, thrillingly tense account of Churchill's raiders in their finest hour, this is World War II history at its heart-stopping best. "This highly informative book almost reads like a genuine techno-thriller.
--New York Journal of Books
"A little-known behind-the-lines spectacular led by two heroic British officers."
--Kirkus Reviews
"Anyone who wants to learn more about the origins of the British Special Forces should read this book. It intertwines historical research and eyewitness testimony to tell the untold story of heroism, courage, and ingenuity."
--Military Press
"Lewis presents a richly detailed and nail-biting tale."
--Library Journal
An NPR Best Book of the Year
A New York Times Best Book of the Year
An Amazon Best Book of the Year
A Booklist Editors' Choice
A BookPage Best Book of the Year
A NECBA Windows & Mirrors Selection
A Publishers Weekly Best Book of the Year
A Wall Street Journal Best Book of the Year
A Today.com Best of the Year PRAISE A modern masterpiece.--The New York Times Book Review Supple, sparkling and original. --The Wall Street Journal Mesmerizing.--TODAY.com This book could change the world.--BookPage Like nothing else you've read or ever will read.--Linda Sue Park It hooks you right from the opening line.--NPR SEVEN STARRED REVIEWS ★ A modern epic.--Kirkus Reviews, starred review ★ A rare treasure of a book. --Publishers Weekly, starred review ★ A story that soars. --The Bulletin, starred review ★ At once beautiful and painful.--School Library Journal, starred review ★ Raises the literary bar in children's lit. --Booklist, starred review ★ Poignant and powerful. --Foreword Reviews, starred review ★ One of the most extraordinary books of the year. --BookPage, starred review A sprawling, evocative, and groundbreaking autobiographical novel told in the unforgettable and hilarious voice of a young Iranian refugee. It is a powerfully layered novel that poses the questions: Who owns the truth? Who speaks it? Who believes it? A patchwork story is the shame of the refugee, Nayeri writes early in the novel. In an Oklahoman middle school, Khosrou (whom everyone calls Daniel) stands in front of a skeptical audience of classmates, telling the tales of his family's history, stretching back years, decades, and centuries. At the core is Daniel's story of how they became refugees--starting with his mother's vocal embrace of Christianity in a country that made such a thing a capital offense, and continuing through their midnight flight from the secret police, bribing their way onto a plane-to-anywhere. Anywhere becomes the sad, cement refugee camps of Italy, and then finally asylum in the U.S. Implementing a distinct literary style and challenging western narrative structures, Nayeri deftly weaves through stories of the long and beautiful history of his family in Iran, adding a richness of ancient tales and Persian folklore. Like Scheherazade of One Thousand and One Nights in a hostile classroom, Daniel spins a tale to save his own life: to stake his claim to the truth. EVERYTHING SAD IS UNTRUE (a true story) is a tale of heartbreak and resilience and urges readers to speak their truth and be heard.
Dead.
Will feels a sadness so great, he can't explain it. But in his neighborhood, there are THE RULES: No. 1: Crying.
Don't.
No matter what. No. 2: Snitching
Don't.
No matter what. No. 3: Revenge
Do.
No matter what. But bullets miss. You can get the wrong guy. And there's always someone else who knows to follow the rules...
