American History
- Dwight Garner, The New York Times Washington Post national investigative reporter Carol Leonnig and White House bureau chief Philip Rucker, both Pulitzer Prize winners, provide the definitive insider narrative of Donald Trump's unique presidency with shocking new reporting and insight into its implications. "I alone can fix it." So went Donald J. Trump's march to the presidency on July 21, 2016, when he accepted the Republican presidential nomination in Cleveland, promising to restore what he described as a fallen nation. Yet over the subsequent years, as he has undertaken the actual work of the commander in chief, it has been hard to see beyond the daily chaos of scandal, investigation, and constant bluster. It would be all too easy to mistake Trump's first term for one of pure and uninhibited chaos, but there were patterns to his behavior and that of his associates. The universal value of the Trump administration is loyalty - not to the country, but to the president himself - and Trump's North Star has been the perpetuation of his own power, even when it meant imperiling our shaky and mistrustful democracy. Leonnig and Rucker, with deep and unmatched sources throughout Washington, D.C., tell of rages and frenzies but also moments of courage and perseverance. Relying on scores of exclusive new interviews with some of the most senior members of the Trump administration and other firsthand witnesses, the authors reveal the forty-fifth president up close, taking readers inside Robert Mueller's Russia investigation as well as the president's own haphazard but ultimately successful legal defense. Here for the first time certain officials who have felt honor-bound not to publicly criticize a sitting president or to divulge what they witnessed in a position of trust tell the truth for the benefit of history. This peerless and gripping narrative reveals President Trump at his most unvarnished and exposes how decision making in his administration has been driven by a reflexive logic of self-preservation and self-aggrandizement - but a logic nonetheless. This is the story of how an unparalleled president has scrambled to survive and tested the strength of America's democracy and its common heart as a nation.
Bascom Books, NY, 1973. Signed by author. VG/VG
Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery--in all its political, intellectual, and cultural forms--continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III's seminal work on the philosophy of Blackness.
Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, "at every scale of abstraction, violence saturates Black life."
And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson's seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters--whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.
Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.
The chant of "Azadi!"--Urdu for "Freedom!"--is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.
Even as Arundhati Roy began to ask what lay between these two calls for Freedom--a chasm or a bridge?--the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.
In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.
The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.
The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.
From the author of Hunger: A Memoir of (My) Body, the New York Times Bestseller, Best Book of the Year at NPR, the Boston Globe, Newsweek, and many more, and instant classic
A collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay.
"Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink--all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I'm not doing it ironically, though it might seem that way. I once live-tweeted the September issue."
In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.
Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better, coming from one of our most interesting and important cultural critics.
Cleveland's story intersected with with some of the most important African American figures of the time. Dr. Martin Luther King and Malcolm X both came to Cleveland, shaping the debate over how to address systemic racism. Should it be with nonviolence or armed self-defense? Malcolm X first delivered his iconic "The Ballot or the Bullet" speech in Cleveland. Three years later, in 1967, Carl Stokes, with King's help, became the first black mayor of a major US city. The ballot seemed to have triumphed over the bullet--and then Dr. King was assassinated. In the spring of 1968, while Mayor Stokes kept peace in Cleveland and Bobby Kennedy came to deliver his "Mindless Menace of Violence" speech, nationalists used an antipoverty program Stokes created in King's honor to buy rifles and ammunition.
Ballots and Bullets examines the revolutionary calls for addressing racism through guerrilla warfare in America's streets. It also puts into perspective the political aftermath, as racial violence and rebellions in most American cities led to white backlash and provided lift to the counterrevolution that brought Richard Nixon to power, effectively marking an end to President Johnson's "War on Poverty."
Fifty years later, many politicians still call for "law and order" to combat urban unrest. The Black Lives Matter movement and continued instances of police misconduct and brutality show that the cycle of race-based violence continues. The root causes--racism and poverty--remain largely unaddressed.
A personal, intimate photographic celebration of President Barack Obama, featuring over 200 rare and never-before seen images from the years prior to his presidency, from photographer, friend, and former aide David Katz
In 2004, David Katz worked alongside then Senate-hopeful Barack Obama as a photographer and personal aide. He spent approximately six days a week alongside the future president as Obama campaigned across downstate Illinois, and the two developed a close, professional, and personal relationship. What began as a long-shot Senate run culminated with the election of America's first African American president in 2008, which Katz also photographed.
During this time, David was never without his camera, capturing quotidian scenes from the life of a man who would soon become known the world over: a dad playing with his small daughters; a young unknown politician walking the streets of New York by himself with no one noticing; a devoted husband lovingly making faces at his wife in an elevator. In 2004, after seeing the unique and touching photographs David had amassed, Annie Leibovitz gave him some advice: "Don't release these photos of Obama for at least fifteen years. They need time to age."
Now, fifteen years later, Barack Before Obama is the treasury of these photographs. Pulled from an archive of more than ninety thousand images, every photograph in this volume is like nothing that has been seen before: the ease in which David captures the spirit and essence of one of our most beloved first families is unparalleled, and it is in this affectionate familiarity that his photographs sing. Warm, engaging captions tell the stories behind the photos--the surprise meeting with Nelson Mandela, the back room conversation before the rally, the emotion after sending one of the Obamas' daughters off to school--bringing readers closer than ever to the spirit and motivation behind the extraordinary man who became our forty-fourth president.
Barack Before Obama is a unique collection of images illustrating the making of an American icon. A moving document of an historic moment, it's the perfect gift for all those who want to remember it.
In 1927, Zora Neale Hurston went to Plateau, Alabama to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.
In 1931, Hurston returned to Plateau. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past: memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.
Based on interviews featuring Cudjo's unique vernacular and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.
Edited and with an introduction by Deborah G. Plant, and with a foreward from the Pulitzer Prize and the National Book Award-winning author Alice Walker, the publication of Zora Neale Hurston's Barracoon is a literary event for students, academics, and every reader.
Freshman Common Read: Howard University
In 1927, Zora Neale Hurston went to Plateau, Alabama to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.
In 1931, Hurston returned to Plateau. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past: memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.
Based on interviews featuring Cudjo's unique vernacular and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.
Edited and with an introduction by Deborah G. Plant, and with a foreward from the Pulitzer Prize and the National Book Award-winning author Alice Walker, the publication of Zora Neale Hurston's Barracoon is a literary event for students, academics, and every reader.
Freshman Common Read: Howard University
We live, according to Eddie S. Glaude Jr., in a moment when the struggles of Black Lives Matter and the attempt to achieve a new America have been challenged by the election of Donald Trump, a president whose victory represents yet another failure of America to face the lies it tells itself about race. From Charlottesville to the policies of child separation at the border, his administration turned its back on the promise of Obama's presidency and refused to embrace a vision of the country shorn of the insidious belief that white people matter more than others. We have been here before: For James Baldwin, these after times came in the wake of the civil rights movement, when a similar attempt to compel a national confrontation with the truth was answered with the murders of Medgar Evers, Malcolm X, and Martin Luther King, Jr. In these years, spanning from the publication of The Fire Next Time in 1963 to that of No Name in the Street in 1972, Baldwin transformed into a more overtly political writer, a change that came at great professional and personal cost. But from that journey, Baldwin emerged with a sense of renewed purpose about the necessity of pushing forward in the face of disillusionment and despair. In the story of Baldwin's crucible, Glaude suggests, we can find hope and guidance through our own after times, this Trumpian era of shattered promises and white retrenchment. Mixing biography--drawn partially from newly uncovered interviews--with history, memoir, and trenchant analysis of our current moment, Begin Again is Glaude's endeavor, following Baldwin, to bear witness to the difficult truth of race in America today. It is at once a searing exploration that lays bare the tangled web of race, trauma, and memory, and a powerful interrogation of what we all must ask of ourselves in order to call forth a new America.
Hailed by Toni Morrison as "required reading," a bold and personal literary exploration of America's racial history by "the most important essayist in a generation and a writer who changed the national political conversation about race" (Rolling Stone)
NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN - NAMED ONE OF PASTE'S BEST MEMOIRS OF THE DECADE - NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review - O: The Oprah Magazine - The Washington Post - People - Entertainment Weekly - Vogue - Los Angeles Times - San Francisco Chronicle - Chicago Tribune - New York - Newsday - Library Journal - Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation's history and current crisis. Americans have built an empire on the idea of "race," a falsehood that damages us all but falls most heavily on the bodies of black women and men--bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates's attempt to answer these questions in a letter to his adolescent son. Coates shares with his son--and readers--the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children's lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
Oliver Wendell "Ollie" Harrington (February 14, 1912 – November 2, 1995) was an American cartoonist and outspoken advocate against racism and for civil rights in the United States. Langston Hughes called him America's greatest African-American cartoonist. He became immersed in the Harlem Renaissance, and in 1935, Harrington created Dark Laughter, a regular single panel cartoon, for the Amsterdam News. The strip was later retitled Bootsie, after its most famous character, an ordinary African American dealing with racism in the U.S. Harrington described him as "a jolly, rather well-fed but soulful character."
This first edition 1958 compilation of a selection of Bootsie cartoons has an introduction by Langston Hughes; dust jacket in protective cover; some tears covered with scotch tape; yellow cloth with green lettering on spine; binding tight; text clean and bright. VG/G+
Oliver Wendell "Ollie" Harrington (February 14, 1912 – November 2, 1995) was an American cartoonist and outspoken advocate against racism and for civil rights in the United States. Langston Hughes called him America's greatest African-American cartoonist. He became immersed in the Harlem Renaissance, and in 1935, Harrington created Dark Laughter, a regular single panel cartoon, for the Amsterdam News. The strip was later retitled Bootsie, after its most famous character, an ordinary African American dealing with racism in the U.S. Harrington described him as "a jolly, rather well-fed but soulful character."
1st edition; introduction by Langston Hughes; no dust jacket; yellow cloth with green lettering on spine; spine slightly tanned; former owner's bookplate in bottom left corner of pastedown; binding tight; text clean and bright. VG
The Pulitzer Prize-winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions. NAMED THE #1 NONFICTION BOOK OF THE YEAR BY TIME, ONE OF THE TEN BEST BOOKS OF THE YEAR BY People - The Washington Post - Publishers Weekly AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review - O: The Oprah Magazine - NPR - Bloomberg - Christian Science Monitor - New York Post - The New York Public Library - Fortune - Smithsonian Magazine - Marie Claire - Town & Country - Slate - Library Journal - Kirkus Reviews - LibraryReads - PopMatters Winner of the Los Angeles Times Book Prize - National Book Critics Circle Award Finalist - PEN/John Kenneth Galbraith Award for Nonfiction Finalist - PEN/Jean Stein Book Award Longlist "As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power--which groups have it and which do not." In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings. Beyond race, class, or other factors, there is a powerful caste system that influences people's lives and behavior and the nation's fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people--including Martin Luther King, Jr., baseball's Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others--she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity. Beautifully written, original, and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of American life today.
NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • The Pulitzer Prize–winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions.
LONGLISTED FOR THE NATIONAL BOOK AWARD • “An instant American classic.”—Dwight Garner, The New York Times
“As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.”
In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings.
Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.
Beautifully written, original, and revealing, Caste: The Origins of Our Discontents is an eye-opening story of people and history, and a reexamination of what lies under the surface of ordinary lives and of American life today.
The bestselling true story of a Texas congressman’s secret role in the Afghan defeat of Russian invaders is “a tour de force of reporting and writing” (Dan Rather).
A New York Times, Washington Post, and Los Angeles Times bestseller.
Charlie Wilson’s penchant for cocktails and beauty-contest winners was well known, but in the early 1980s, the dilettante congressman quietly conducted one of the most successful covert operations in US history. Using his seat on the House Appropriations Committee, Wilson channeled hundreds of millions of dollars to support a ragged band of Afghan “freedom fighters” in their resistance against Soviet invaders.
Weapons were secretly procured and distributed with the help of an outcast CIA operative named Gust Avrakotos, who stretched the agency’s rules to the breaking point. Moving from the back rooms of Washington to secret chambers at Langley, and from arms-dealers’ conventions to the Khyber Pass, Wilson and Avrakotos helped the mujahideen win an unlikely victory against the Russians.
New York: Atlantic Monthly Press, 2003. 1st edition, signed by author; dust jacket in protective mylar cover. F/F
* Finalist for the National Book Award in Poetry *
* Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award *
ONE OF THE BEST BOOKS OF THE YEAR:
The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . .
Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named post-race society.
Charles Octavius Boothe (1845-1924) was born in Mobile County, Alabama. He was an influential African-American Baptist preacher, educator, and author who worked with white leaders and philanthropists to assist African-Americans in post-Civil War Alabama. He helped found Selma University and several Baptists organizations in Alabama. He is best known for his book, The Cyclopedia of the Colored Baptists of Alabama, published in 1895.
Birmingham: Alabama Publishing Company, 1895. 1st edition. Brown embossed cloth with title in gilt on front cover; covers worn and scuffed; corners bumped and frayed; spine worn, edges frayed and chipped; hinges weak; endpapers toned and worn; pages brittle; text clean. Very scarce 1st edition copy of this important book. G-
Winner of the Los Angeles Times Book Prize
Finalist for the National Book Award
The Nation's Most Valuable Book "[A] vibrant intellectual history of the radical right."--The Atlantic
"This sixty-year campaign to make libertarianism mainstream and eventually take the government itself is at the heart of Democracy in Chains. . . . If you're worried about what all this means for America's future, you should be."--NPR
An explosive exposé of the right's relentless campaign to eliminate unions, suppress voting, privatize public education, stop action on climate change, and alter the Constitution. Behind today's headlines of billionaires taking over our government is a secretive political establishment with long, deep, and troubling roots. The capitalist radical right has been working not simply to change who rules, but to fundamentally alter the rules of democratic governance. But billionaires did not launch this movement; a white intellectual in the embattled Jim Crow South did. Democracy in Chains names its true architect--the Nobel Prize-winning political economist James McGill Buchanan--and dissects the operation he and his colleagues designed over six decades to alter every branch of government to disempower the majority. In a brilliant and engrossing narrative, Nancy MacLean shows how Buchanan forged his ideas about government in a last gasp attempt to preserve the white elite's power in the wake of Brown v. Board of Education. In response to the widening of American democracy, he developed a brilliant, if diabolical, plan to undermine the ability of the majority to use its numbers to level the playing field between the rich and powerful and the rest of us. Corporate donors and their right-wing foundations were only too eager to support Buchanan's work in teaching others how to divide America into "makers" and "takers." And when a multibillionaire on a messianic mission to rewrite the social contract of the modern world, Charles Koch, discovered Buchanan, he created a vast, relentless, and multi-armed machine to carry out Buchanan's strategy. Without Buchanan's ideas and Koch's money, the libertarian right would not have succeeded in its stealth takeover of the Republican Party as a delivery mechanism. Now, with Mike Pence as Vice President, the cause has a longtime loyalist in the White House, not to mention a phalanx of Republicans in the House, the Senate, a majority of state governments, and the courts, all carrying out the plan. That plan includes harsher laws to undermine unions, privatizing everything from schools to health care and Social Security, and keeping as many of us as possible from voting. Based on ten years of unique research, Democracy in Chains tells a chilling story of right-wing academics and big money run amok. This revelatory work of scholarship is also a call to arms to protect the achievements of twentieth-century American self-government.
Since his election to the U.S. Senate in 2006, Ohio's Sherrod Brown has sat on the Senate floor at a mahogany desk with a proud history. In Desk 88, he tells the story of eight of the Senators who were there before him.
Perhaps the most imaginative book to emerge from the Senate since Senator John F. Kennedy of Massachusetts produced Profiles in Courage. --David M. Shribman, The Boston Globe
Despite their flaws and frequent setbacks, each made a decisive contribution to the creation of a more just America. They range from Hugo Black, who helped to lift millions of American workers out of poverty, to Robert F. Kennedy, whose eyes were opened by an undernourished Mississippi child and who then spent the rest of his life afflicting the comfortable. Brown revives forgotten figures such as Idaho's Glen Taylor, a singing cowboy who taught himself economics and stood up to segregationists, and offers new insights into George McGovern, who fought to feed the poor around the world even amid personal and political calamities. He also writes about Herbert Lehman of New York, Al Gore Sr. of Tennessee, Theodore Francis Green of Rhode Island, and William Proxmire of Wisconsin.
Signed copiws have sold out - but we still have plenty of unsigned copies in stock!
Since his election to the U.S. Senate in 2006, Ohio's Sherrod Brown has sat on the Senate floor at a mahogany desk with a proud history. In Desk 88, he tells the story of eight of the Senators who were there before him. Despite their flaws and frequent setbacks, each made a decisive contribution to the creation of a more just America. They range from Hugo Black, who helped to lift millions of American workers out of poverty, to Robert F. Kennedy, whose eyes were opened by an undernourished Mississippi child and who then spent the rest of his life afflicting the comfortable. Brown revives forgotten figures such as Idaho's Glen Taylor, a singing cowboy who taught himself economics and stood up to segregationists, and offers new insights into George McGovern, who fought to feed the poor around the world even amid personal and political calamities. He also writes about Herbert Lehman of New York, Al Gore Sr. of Tennessee, Theodore Francis Green of Rhode Island, and William Proxmire of Wisconsin.
Together, these eight portraits in political courage tell a story about the triumphs and failures of the Progressive idea over the past century: in the 1930s and 1960s, and more intermittently since, politicians and the public have successfully fought against entrenched special interests and advanced the cause of economic or racial fairness. Today, these advances are in peril as employers shed their responsibilities to employees and communities, and a U.S. president gives cover to bigotry. But the Progressive idea is not dead. Recalling his own career, Brown dramatizes the hard work and high ideals required to renew the social contract and create a new era in which Americans of all backgrounds can know the "Dignity of Work."
INSTANT NEW YORK TIMES BESTSELLER
A New York Times Editor's Choice
From journalist and New York Times bestselling author Charles Blow comes a powerful manifesto and call to action, a must-read in the effort to dismantle deep-seated poisons of systemic racism and white supremacy (San Francisco Chronicle).
Race, as we have come to understand it, is a fiction; but, racism, as we have come to live it, is a fact. The point here is not to impose a new racial hierarchy, but to remove an existing one. After centuries of waiting for white majorities to overturn white supremacy, it seems to me that it has fallen to Black people to do it themselves.
Acclaimed columnist and author Charles Blow never wanted to write a "race book." But as violence against Black people--both physical and psychological--seemed only to increase in recent years, culminating in the historic pandemic and protests of the summer of 2020, he felt compelled to write a new story for Black Americans. He envisioned a succinct, counterintuitive, and impassioned corrective to the myths that have for too long governed our thinking about race and geography in America. Drawing on both political observations and personal experience as a Black son of the South, Charles set out to offer a call to action by which Black people can finally achieve equality, on their own terms.
So what will it take to make lasting change when small steps have so frequently failed? It's going to take an unprecedented shift in power. The Devil You Know is a groundbreaking manifesto, proposing nothing short of the most audacious power play by Black people in the history of this country. This book is a grand exhortation to generations of a people, offering a road map to true and lasting freedom.
Today the world faces an enormous refugee crisis: 68.5 million people fleeing persecution and conflict from Myanmar to South Sudan and Syria, a figure worse than flight of Jewish and other Europeans during World War II and beyond anything the world has seen in this generation. Yet in the United States, United Kingdom, and other countries with the means to welcome refugees, anti-immigration politics and fear seem poised to shut the door. Even for readers seeking to help, the sheer scale of the problem renders the experience of refugees hard to comprehend.
Viet Nguyen, called "one of our great chroniclers of displacement" (Joyce Carol Oates, The New Yorker), brings together writers originally from Mexico, Bosnia, Iran, Afghanistan, Soviet Ukraine, Hungary, Chile, Ethiopia, and others to make their stories heard. They are formidable in their own right--MacArthur Genius grant recipients, National Book Award and National Book Critics Circle Award finalists, filmmakers, speakers, lawyers, professors, and New Yorker contributors--and they are all refugees, many as children arriving in London and Toronto, Oklahoma and Minnesota, South Africa and Germany. Their 17 contributions are as diverse as their own lives have been, and yet hold just as many themes in common.
Reyna Grande questions the line between "official" refugee and "illegal" immigrant, chronicling the disintegration of the family forced to leave her behind; Fatima Bhutto visits Alejandro Iñárritu's virtual reality border crossing installation "Flesh and Sand"; Aleksandar Hemon recounts a gay Bosnian's answer to his question, "How did you get here?"; Thi Bui offers two uniquely striking graphic panels; David Bezmozgis writes about uncovering new details about his past and attending a hearing for a new refugee; and Hmong writer Kao Kalia Yang recalls the courage of children in a camp in Thailand.
These essays reveal moments of uncertainty, resilience in the face of trauma, and a reimagining of identity, forming a compelling look at what it means to be forced to leave home and find a place of refuge. The Displaced is also a commitment: ABRAMS will donate 10 percent of the cover price of this book, a minimum of $25,000 annually, to the International Rescue Committee, a not-for-profit organization dedicated to providing humanitarian aid, relief, and resettlement to refugees and other victims of oppression or violent conflict.
List of Contributors:
Joseph Azam
David Bezmozgis
Fatima Bhutto
Thi Bui
Ariel Dorfman
Lev Golinkin
Reyna Grande
Meron Hadero
Aleksandar Hemon
Joseph Kertes
Porochista Khakpour
Marina Lewycka
Maaza Mengiste
Dina Nayeri
Vu Tran
Novuyo Rosa Tshuma
Kao Kalia Yang
"There's been no real way for ordinary people to get an understanding of what they can do and what impact it can have. There remains no single, comprehensive, reliable compendium of carbon-reduction solutions across sectors. At least until now. . . . The public is hungry for this kind of practical wisdom." --David Roberts, Vox
"This is the ideal environmental sciences textbook--only it is too interesting and inspiring to be called a textbook." --Peter Kareiva, Director of the Institute of the Environment and Sustainability, UCLA In the face of widespread fear and apathy, an international coalition of researchers, professionals, and scientists have come together to offer a set of realistic and bold solutions to climate change. One hundred techniques and practices are described here--some are well known; some you may have never heard of. They range from clean energy to educating girls in lower-income countries to land use practices that pull carbon out of the air. The solutions exist, are economically viable, and communities throughout the world are currently enacting them with skill and determination. If deployed collectively on a global scale over the next thirty years, they represent a credible path forward, not just to slow the earth's warming but to reach drawdown, that point in time when greenhouse gases in the atmosphere peak and begin to decline. These measures promise cascading benefits to human health, security, prosperity, and well-being--giving us every reason to see this planetary crisis as an opportunity to create a just and livable world.
The Associated Publishers Inc, 1941, nod. Blue boards, library markings. Good-
Education for Extinction offers the first comprehensive account of this dispiriting effort. Much more than a study of federal Indian policy, this book vividly details the day-to-day experiences of Indian youth living in a "total institution" designed to reconstruct them both psychologically and culturally. The assault on identity came in many forms: the shearing off of braids, the assignment of new names, uniformed drill routines, humiliating punishments, relentless attacks on native religious beliefs, patriotic indoctrinations, suppression of tribal languages, Victorian gender rituals, football contests, and industrial training. Especially poignant is Adams's description of the ways in which students resisted or accommodated themselves to forced assimilation. Many converted to varying degrees, but others plotted escapes, committed arson, and devised ingenious strategies of passive resistance. Adams also argues that many of those who seemingly cooperated with the system were more than passive players in this drama, that the response of accommodation was not synonymous with cultural surrender. This is especially apparent in his analysis of students who returned to the reservation. He reveals the various ways in which graduates struggled to make sense of their lives and selectively drew upon their school experience in negotiating personal and tribal survival in a world increasingly dominated by white men. The discussion comes full circle when Adams reviews the government's gradual retreat from the assimilationist vision. Partly because of persistent student resistance, but also partly because of a complex and sometimes contradictory set of progressive, humanitarian, and racist motivations, policymakers did eventually come to view boarding schools less enthusiastically. Based upon extensive use of government archives, Indian and teacher autobiographies, and school newspapers, Adams's moving account is essential reading for scholars and general readers alike interested in Western history, Native American studies, American race relations, education history, and multiculturalism.
From the legendary journalist and creator of “Gonzo” journalism Hunter S. Thompson comes the bestselling critical look at Nixon and McGovern’s 1972 presidential election.
Straight Arrow Books, 1973, stated first edition. Illustrations by Ralph Steadman. Dust jacket in protective cover; some creases and small closed tears; black boards with embossed image of skull on cover; white lettering on spine; corners bumped; head of spine pulled; top edge foxed; binding good; text clean and bright. G/G
Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association
Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor black women are particularly stigmatized as "diseased" and a burden on the public health care system. This is only the most recent incarnation of the fear of fat black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals--where fat bodies were once praised--showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of "savagery" and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn't about health at all, but rather a means of using the body to validate race, class, and gender prejudice.
Chronicles the story of three generations of the Fitzgeralds and the Kennedys, beginning in 1863 with the baptism of John Francis Fitzgerald and closing with the inauguration of John Fitzgerald Kennedy in January 1961. This copy is a scarce first edition (2nd printing) inscribed by the author.
This copy is a scarce first edition (2nd printing) inscribed by the author. Tight binding, minimal wear to edges of cover and DJ, water stain at bottom of DJ spine, minimal yellowing to DJ; slight tanning to front endpapers due to newspaper articles being laid in; front hinge weak. G/G
A major contribution to the culture.--Brian Jay Jones, New York Times bestselling author of Jim Henson: The Biography
The triumphant story of the all-Black Broadway musical that changed the world forever
Opening night was going better than any of them could have expected, but the performers knew the rapturous applause was obscuring the truth: there was a good chance someone was going to get killed at any moment, and it was likely to be one of them. When the curtain rose on Shuffle Along in 1921, the first all-Black musical to succeed on Broadway, no one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters--and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake's inspired musical numbers, New York audiences fell head over heels for Shuffle Along, which was unlike anything they had seen before.
Footnotes is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century's most beloved Black performers. Born in the shadow of slavery and establishing their careers at a time of increasing demands for racial justice and representation for people of color, Sissle, Blake, Miller, and Lyles broke down innumerable barriers between Black and white communities at a crucial point in our history. Author and pop culture expert Caseen Gaines leads readers through the glitz and glamour of New York City during the Roaring Twenties to reveal the revolutionary impact one show had on generations of Americans, and how its legacy continues to resonate today.
Before Hamilton, before The Wiz, and even before Porgy and Bess, there was Shuffle Along, an unforgettable theatrical achievement that paved the way for innumerable Black actors, dancers, musicians, and composers and left an indelible mark on our popular culture and our lives.
Shuffle Along was the first of its kind when the piece arrived on Broadway. This musical introduced Black excellence to the Great White Way. Broadway was forever changed and we, who stand on the shoulders of our brilliant ancestors, are charged with the very often elusive task of carrying that torch into our present. I am humbled to have been part of the short-lived 2016 historical telling of how far we've come, starring as Aubrey Lyles in Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed--and happy that Footnotes further secures his place in history.--Billy Porter, Tony, Grammy, and Emmy Award-winning actor
"Keeanga-Yamahtta Taylor's searching examination of the social, political and economic dimensions of the prevailing racial order offers important context for understanding the necessity of the emerging movement for black liberation."
--Michelle Alexander
The eruption of mass protests in the wake of the police murders of Michael Brown in Ferguson, Missouri and Eric Garner in New York City have challenged the impunity with which officers of the law carry out violence against Black people and punctured the illusion of a postracial America. The Black Lives Matter movement has awakened a new generation of activists.
In this stirring and insightful analysis, activist and scholar Keeanga-Yamahtta Taylor surveys the historical and contemporary ravages of racism and persistence of structural inequality such as mass incarceration and Black unemployment. In this context, she argues that this new struggle against police violence holds the potential to reignite a broader push for Black liberation.
House of Trump, House of Putin offers the first comprehensive investigation into the decades-long relationship among Donald Trump, Vladimir Putin, and the Russian Mafia that ultimately helped win Trump the White House. It is a chilling story that begins in the 1970s, when Trump made his first splash in the booming, money-drenched world of New York real estate, and ends with Trump's inauguration as president of the United States. That moment was the culmination of Vladimir Putin's long mission to undermine Western democracy, a mission that he and his hand-selected group of oligarchs and Mafia kingpins had ensnared Trump in, starting more than twenty years ago with the massive bailout of a string of sensational Trump hotel and casino failures in Atlantic City. This book confirms the most incredible American paranoias about Russian malevolence. To most, it will be a hair-raising revelation that the Cold War did not end in 1991--that it merely evolved, with Trump's apartments offering the perfect vehicle for billions of dollars to leave the collapsing Soviet Union. In House of Trump, House of Putin, Craig Unger methodically traces the deep-rooted alliance between the highest echelons of American political operatives and the biggest players in the frightening underworld of the Russian Mafia. He traces Donald Trump's sordid ascent from foundering real estate tycoon to leader of the free world. He traces Russia's phoenix like rise from the ashes of the post-Cold War Soviet Union as well as its ceaseless covert efforts to retaliate against the West and reclaim its status as a global superpower. Without Trump, Russia would have lacked a key component in its attempts to return to imperial greatness. Without Russia, Trump would not be president. This essential book is crucial to understanding the real powers at play in the shadows of today's world. The appearance of key figures in this book--Paul Manafort, Michael Cohen, and Felix Sater to name a few--ring with haunting significance in the wake of Robert Mueller's report and as others continue to close in on the truth.
A travelogue recounting Jackson and his wife's roadtrip from Washington, DC, through the Jim Crow South in the late 1920s, documenting their experiences as Black travelers in large cities and small communities across the South. The Associated Publishers, 1930; bookplate of Howard University Library. Good+
A first edition with VG dust jacket of one of Henderson's only two novels. George Wylie Henderson was born in 1904 in Warriorstand, Alabama, an unincorporated area of Macon County. He attended the limited and segregated rural school. He went to Tuskegee Institute, where he learned printing as a trade. Henderson moved to New York in the Great Migration and supported himself as a printer for the New York Daily News, also becoming associated with writers and artists of the Harlem Renaissance. Henderson lived in New York City until his death.
Creative Age Press, Inc, NY, 1946. VG/VG
Bryan Stevenson was a young lawyer when he founded the Equal Justice Initiative, a legal practice dedicated to defending those most desperate and in need: the poor, the wrongly condemned, and women and children trapped in the farthest reaches of our criminal justice system. One of his first cases was that of Walter McMillian, a young man who was sentenced to die for a notorious murder he insisted he didn't commit. The case drew Bryan into a tangle of conspiracy, political machination, and legal brinksmanship--and transformed his understanding of mercy and justice forever. Just Mercy is at once an unforgettable account of an idealistic, gifted young lawyer's coming of age, a moving window into the lives of those he has defended, and an inspiring argument for compassion in the pursuit of true justice. Winner of the Carnegie Medal for Excellence in Nonfiction - Winner of the NAACP Image Award for Nonfiction - Winner of a Books for a Better Life Award - Finalist for the Los Angeles Times Book Prize - Finalist for the Kirkus Reviews Prize - An American Library Association Notable Book "Every bit as moving as To Kill a Mockingbird, and in some ways more so . . . a searing indictment of American criminal justice and a stirring testament to the salvation that fighting for the vulnerable sometimes yields."--David Cole, The New York Review of Books "Searing, moving . . . Bryan Stevenson may, indeed, be America's Mandela."--Nicholas Kristof, The New York Times "You don't have to read too long to start cheering for this man. . . . The message of this book . . . is that evil can be overcome, a difference can be made. Just Mercy will make you upset and it will make you hopeful."--Ted Conover, The New York Times Book Review "Inspiring . . . a work of style, substance and clarity . . . Stevenson is not only a great lawyer, he's also a gifted writer and storyteller."--The Washington Post "As deeply moving, poignant and powerful a book as has been, and maybe ever can be, written about the death penalty."--The Financial Times "Brilliant."--The Philadelphia Inquirer
An insider's account of how politicians representing a radical white minority of Americans have used "the world's greatest deliberative body" to hijack our democracy.
A masterful narrative--with echoes of Evicted and The Color of Law--that brings to life the structures, policies, and beliefs that divide us
Mark Lange and Nicole Smith have never met, but if they make the moves they are contemplating--Mark, a white suburbanite, to West Baltimore, and Nicole, a black woman from a poor city neighborhood, to a prosperous suburb--it will defy the way the Baltimore region has been programmed for a century. It is one region, but separate worlds. And it was designed to be that way.
In this deeply reported, revelatory story, duPont Award-winning journalist Lawrence Lanahan chronicles how the region became so highly segregated and why its fault lines persist today. Mark and Nicole personify the enormous disparities in access to safe housing, educational opportunities, and decent jobs. As they eventually pack up their lives and change places, bold advocates and activists--in the courts and in the streets--struggle to figure out what it will take to save our cities and communities: Put money into poor, segregated neighborhoods? Make it possible for families to move into areas with more opportunity?
The Lines Between Us is a riveting narrative that compels reflection on America's entrenched inequality--and on where the rubber meets the road not in the abstract, but in our own backyards. Taking readers from church sermons to community meetings to public hearings to protests to the Supreme Court to the death of Freddie Gray, Lanahan deftly exposes the intricacy of Baltimore's hypersegregation through the stories of ordinary people living it, shaping it, and fighting it, day in and day out.
This eye-opening account of how a city creates its black and white places, its rich and poor spaces, reveals that these problems are not intractable; but they are designed to endure until each of us--despite living in separate worlds--understands we have something at stake.
Encampments: Over-wintering camps and winter quarters were widely photographed.
Historic buildings: Many of the original buildings were destroyed and have been rebuilt. These include the McLean House in Appomattox and the Ford Theatre in Washington DC, with many others completely destroyed.
Prisons: Those featured included Libby Prison, which was dismantled and the bricks shipped to Chicago
for the Exhibition; Andersonville Prison and Capitol Prison in Washington DC, and Castle Pinckney in Charleston Harbor.
Cycloramas: There was such an interest in seeing re-enactments of the Civil War that many cycloramas were built especially to show re-runs of Gettysburg. Including such curiosities as a list of the longest-living Civil War veterans, the guide also features an up-to-date survey of Confederate statues and memorials and their complicated and often controversial legacy in the 21st century.
An Instant New York Times Bestseller
A New York Times Notable Book
One of Barack Obama's Favorite Books of 2020
Named One of the Best Books of the Year by: The Washington Post, NPR, Shelf Awareness, Esquire, Electric Literature, Slate, The Los Angeles Times, USA Today, and InStyle
A chillingly personal and exquisitely wrought memoir of a daughter reckoning with the brutal murder of her mother at the hands of her former stepfather, and the moving, intimate story of a poet coming into her own in the wake of a tragedy
At age nineteen, Natasha Trethewey had her world turned upside down when her former stepfather shot and killed her mother. Grieving and still new to adulthood, she confronted the twin pulls of life and death in the aftermath of unimaginable trauma and now explores the way this experience lastingly shaped the artist she became.
With penetrating insight and a searing voice that moves from the wrenching to the elegiac, Pulitzer Prize-winning poet Natasha Trethewey explores this profound experience of pain, loss, and grief as an entry point into understanding the tragic course of her mother's life and the way her own life has been shaped by a legacy of fierce love and resilience. Moving through her mother's history in the deeply segregated South and through her own girlhood as a "child of miscegenation" in Mississippi, Trethewey plumbs her sense of dislocation and displacement in the lead-up to the harrowing crime that took place on Memorial Drive in Atlanta in 1985.
Memorial Drive is a compelling and searching look at a shared human experience of sudden loss and absence but also a piercing glimpse at the enduring ripple effects of white racism and domestic abuse. Animated by unforgettable prose and inflected by a poet's attention to language, this is a luminous, urgent, and visceral memoir from one of our most important contemporary writers and thinkers.
One of our finest writers on one of her greatest loves.Jamaica Kincaid's first garden in Vermont was a plot in the middle of her front lawn. There, to the consternation of more experienced friends, she planted only seeds of the flowers she liked best. In My Garden (Book): she gathers all she loves about gardening and plants, and examines it generously, passionately, and with sharp, idiosyncratic discrimination. Kincaid's affections are matched in intensity only by her dislikes. She loves spring and summer but cannot bring herself to love winter, for it hides the garden. She adores the rhododron Jane Grant, and appreciates ordinary Blue Lake string beans, but abhors the Asiatic lily. The sources of her inspiration -- seed catalogues, the gardener Gertrude Jekyll, gardens like Monet's at Giverny -- are subjected to intense scrutiny. She also examines the idea of the garden on Antigua, where she grew up. My Garden (Book): is an intimate, playful, and penetrating book on gardens, the plants that fill them, and the persons who tend them.
Negro Folk Tales for Pupils in the Primary Grades, illustrations by Lois Mailou Jones Book 1 (USED)
The Associated Publishers Inc, 1938, library markings but interior vg. 1st ed.
#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America
In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in "The Harlem Ghetto" to a sobering "Journey to Atlanta."
Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright's work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise. Notes is the book that established Baldwin's voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin's own search for identity as an artist, as a black man, and as an American.
The Founding Fathers tried to protect us from the threat they knew, the tyranny that overcame ancient democracy. Today, our political order faces new threats, not unlike the totalitarianism of the twentieth century. We are no wiser than the Europeans who saw democracy yield to fascism, Nazism, or communism. Our one advantage is that we might learn from their experience. On Tyranny is a call to arms and a guide to resistance, with invaluable ideas for how we can preserve our freedoms in the uncertain years to come. Mr. Snyder is a rising public intellectual unafraid to make bold connections between past and present. --The New York Times
From New York Times bestselling author of Lead From The Outside and political leader Stacey Abrams, a blueprint to end voter suppression, empower our citizens, and take back our country.
With each page, she inspires and empowers us to create systems that reflect a world in which all voices are heard and all people believe and feel that they matter. --Kerry Washington A recognized expert on fair voting and civic engagement, Abrams chronicles a chilling account of how the right to vote and the principle of democracy have been and continue to be under attack. Abrams would have been the first African American woman governor, but experienced these effects firsthand, despite running the most innovative race in modern politics as the Democratic nominee in Georgia. Abrams didn't win, but she has not conceded. The book compellingly argues for the importance of robust voter protections, an elevation of identity politics, engagement in the census, and a return to moral international leadership. Our Time Is Now draws on extensive research from national organizations and renowned scholars, as well as anecdotes from her life and others' who have fought throughout our country's history for the power to be heard. The stakes could not be higher. Here are concrete solutions and inspiration to stand up for who we are?now. This is a narrative that describes the urgency that compels me and millions more to push for a different American story than the one being told today. It's a story that is one part danger, one part action, and all true. It's a story about how and why we fight for our democracy and win. ?Stacey Abrams
A riveting, deeply personal account of history in the making—from the president who inspired us to believe in the power of democracy
In the stirring, highly anticipated first volume of his presidential memoirs, Barack Obama tells the story of his improbable odyssey from young man searching for his identity to leader of the free world, describing in strikingly personal detail both his political education and the landmark moments of the first term of his historic presidency—a time of dramatic transformation and turmoil.
Obama takes readers on a compelling journey from his earliest political aspirations to the pivotal Iowa caucus victory that demonstrated the power of grassroots activism to the watershed night of November 4, 2008, when he was elected 44th president of the United States, becoming the first African American to hold the nation’s highest office.
Reflecting on the presidency, he offers a unique and thoughtful exploration of both the awesome reach and the limits of presidential power, as well as singular insights into the dynamics of U.S. partisan politics and international diplomacy. Obama brings readers inside the Oval Office and the White House Situation Room, and to Moscow, Cairo, Beijing, and points beyond. We are privy to his thoughts as he assembles his cabinet, wrestles with a global financial crisis, takes the measure of Vladimir Putin, overcomes seemingly insurmountable odds to secure passage of the Affordable Care Act, clashes with generals about U.S. strategy in Afghanistan, tackles Wall Street reform, responds to the devastating Deepwater Horizon blowout, and authorizes Operation Neptune’s Spear, which leads to the death of Osama bin Laden.
A Promised Land is extraordinarily intimate and introspective—the story of one man’s bet with history, the faith of a community organizer tested on the world stage. Obama is candid about the balancing act of running for office as a Black American, bearing the expectations of a generation buoyed by messages of “hope and change,” and meeting the moral challenges of high-stakes decision-making. He is frank about the forces that opposed him at home and abroad, open about how living in the White House affected his wife and daughters, and unafraid to reveal self-doubt and disappointment. Yet he never wavers from his belief that inside the great, ongoing American experiment, progress is always possible.
This beautifully written and powerful book captures Barack Obama’s conviction that democracy is not a gift from on high but something founded on empathy and common understanding and built together, day by day.
2014 NAACP Image Award Winner: Outstanding Literary Work - Biography / Auto Biography
2013 Letitia Woods Brown Award from the Association of Black Women Historians Choice Top 25 Academic Titles for 2013 The definitive political biography of Rosa Parks examines her six decades of activism, challenging perceptions of her as an accidental actor in the civil rights movementPresenting a corrective to the popular notion of Rosa Parks as the quiet seamstress who, with a single act, birthed the modern civil rights movement, Theoharis provides a revealing window into Parks's politics and years of activism. She shows readers how this civil rights movement radical sought--for more than a half a century--to expose and eradicate the American racial-caste system in jobs, schools, public services, and criminal justice.
** #1 Wall Street Journal Bestseller **
In this essential book written by a rural native and Silicon Valley veteran, Microsoft's Chief technology officer tackles one of the most critical issues facing society today: the future of artificial intelligence and how it can be realistically used to promote growth, even in a shifting employment landscape.
There are two prevailing stories about AI: for heartland low- and middle-skill workers, a dystopian tale of steadily increasing job destruction; for urban knowledge workers and the professional class, a utopian tale of enhanced productivity and convenience. But there is a third way to look at this technology that will revolutionize the workplace and ultimately the world. Kevin Scott argues that AI has the potential to create abundance and opportunity for everyone and help solve some of our most vexing problems.
As the chief technology officer at Microsoft, he is deeply involved in the development of AI applications, yet mindful of their potential impact on workers--knowledge he gained firsthand growing up in rural Virginia. Yes, the AI Revolution will radically disrupt economics and employment for everyone for generations to come. But what if leaders prioritized the programming of both future technology and public policy to work together to find solutions ahead of the coming AI epoch? Like public health, the space program, climate change and public education, we need international understanding and collaboration on the future of AI and work. For Scott, the crucial question facing all of us is this: How do we work to ensure that the continued development of AI allows us to keep the American Dream alive?
In this thoughtful, informed guide, he offers a clear roadmap to find the answer.
--Reid Hoffman, co-founder of Linkedin and author of Blitzscaling
The River of Doubt : Theodore Roosevelt's Darkest Journey, by Candice Millard
Did you know that Theodore Roosevelt ran for a third term, this time with the Progressive Party, a new, independent third party? That when he lost, he decided to join an expedition of The River of Doubt, a tributary of the Amazon River? He did, along with the Brazilian explorer Candido Rondon and Roosevelt’s son, Kermit. Of the nineteen men who attempted to map The River of Doubt, only sixteen survived.
Everything that could go wrong did. The explores contracted serious diseases, lost canoes and built new ones, encountered white water rapids and portaged around them, and faced starvation and rebellion. One man drowned, one was murdered, and one (the murderer) was left behind. Roosevelt himself, suffering from Malaria, was wounded in his leg and developed an almost fatal infection. He even considered suicide before they were found by native “rubber-trappers” who helped them traverse the river back to civilization.
The descriptions of these events and of the dense, dangerous Amazon forest are absolutely riveting. Written by Candice Millard, this book is a must for anyone interested in the tragedy and triumphs of historical exploration.
Sarah Willis
Farrar & Rinehart, New York, 1941. Limited edition, signed by author and illustrator, no. 93 of 650 copies; dust jacket in protective cover; light brown cloth with gilt title in title block on spine; very slight wear on top and bottom edge of spine; endpaper has discoloration from previous owner bookplate.
Separate is a myth-shattering narrative of one of the most consequential Supreme Court cases of the nineteenth century, Plessy v. Ferguson. The 1896 ruling embraced racial segregation, and its reverberations are still felt today. Drawing on letters, diaries, and archival collections, Steve Luxenberg reveals the origins of racial separation and its pernicious grip on American life. He tells the story through the lives of the people caught up in the case: Louis Martinet, who led the resisters from the mixed-race community of French New Orleans; Albion Tourgée, a best-selling author and the country's best-known white advocate for civil rights; Justice Henry Billings Brown, from antislavery New England, whose majority ruling sanctioned separation; Justice John Harlan, the Southerner from a slaveholding family whose singular dissent cemented his reputation as a steadfast voice for justice. Sweeping, swiftly paced, and richly detailed, Separate is an urgently needed exploration of our nation's most devastating divide.
The meteoric rise of the mayor of a small Midwest city, who defied every pundit's odds with his electrifying run for the presidency, created one of the most surprising candidacies in recent American history. The fact that his New York Times best-selling memoir, Shortest Way Home, didn't read like your typical campaign book only added to "Mayor Pete's" transcendent appeal. Readers everywhere, old and young, came to appreciate the "stirring, honest, and often beautiful" (Jill Lepore, New Yorker) personal stories and gripping mayoral tales, which provided, in lyrical prose, the political and philosophical foundations of his historic campaign.
Now featuring a new introduction and a "Back Home" afterword, in which Buttigieg movingly returns with the reader to his roots in his hometown city of South Bend, Indiana, as well as a transcript of the eulogy for his father, Joseph Buttigieg, Shortest Way Home, already considered a classic of the political memoir form, provides us with a beacon of hope at a time of social despair and political crisis.
Standoff is award-winning journalist Jamie Thompson's gripping account of a deadly night in Dallas, told through the eyes of those at the center of the events, who offer a nuanced look at race and policing in America
On the evening of July 7, 2016, protesters gathered in cities across the nation after police shot two black men, Philando Castile and Alton Sterling. As officers patrolled a march in Dallas, a young man stepped out of an SUV wearing a bulletproof vest and carrying a high-powered rifle. He killed five officers and wounded eleven others. It fell to a small group of cops to corner the shooter inside a community college, where a fierce gun battle was followed by a stalemate. Crisis negotiator Larry Gordon, a 21-year department veteran, spent hours bonding with the gunman--over childhood ghosts and death and shared experiences of racial injustice in America--while his colleagues devised an unprecedented plan to bring the night to its dramatic end. Thompson's minute-by-minute account includes intimate portrayals of the negotiator, a surgeon who operated on the fallen officers, a mother of four shot down in the street, and the SWAT officers tasked with stopping the gunman. This is a deeply affecting story of real people navigating a terrifying crisis and a city's attempts to heal its divisions.
Lenin once said, "There are decades when nothing happens and weeks when decades happen." This is one of those times when history has sped up. CNN host and best-selling author Fareed Zakaria helps readers to understand the nature of a post-pandemic world: the political, social, technological, and economic consequences that may take years to unfold. Written in the form of ten "lessons," covering topics from natural and biological risks to the rise of "digital life" to an emerging bipolar world order, Zakaria helps readers to begin thinking beyond the immediate effects of COVID-19. Ten Lessons for a Post-Pandemic World speaks to past, present, and future, and, while urgent and timely, is sure to become an enduring reflection on life in the early twenty-first century.
"A unique work of. . . history, made all the more interesting by its relevance to the time in which we live."
--James R. Elkins, editor of Legal Studies Forum
In this timely study of the roots of terrorism, author Albert Borowitz deftly assesses the phenomenon of violent crime motivated by a craving for notoriety or self-glorification. He traces this particular brand of terrorism back to 356 BCE and the destruction of the Temple of Artemis at Ephesus by arsonist Herostratos and then examines similar crimes through history to the present time, detailing many examples of what the author calls the "Herostratos Syndrome," such as the attempted explosion of the Greenwich Observatory in 1894, the Taliban's destruction of the giant Buddhas in Afghanistan, the assassination of John Lennon, the Unabomber strikes, and the attacks on the World Trade Center buildings.
The study of terrorism requires interdisciplinary inquiry. Proving that terrorism cannot be the exclusive focus of a single field of scholarship, Borowitz presents this complex subject using sources based in religion, philosophy, history, Greek mythology, and world literature, including works of Chaucer, Cervantes, Mark Twain, and Jean-Paul Sartre.
Terrorism for Self-Glorification, written in clear and direct prose, is original, thorough, and thought provoking. Scholars, specialists, and general readers will find their understanding of terrorism greatly enhanced by this book.
The Negro Family: The Case For National Action, commonly known as the Moynihan Report, was a 1965 report on black poverty in the United States written by Daniel Patrick Moynihan, an American sociologist serving as Assistant Secretary of Labor under President Lyndon B. Johnson. The report's conclusions remain controversial. Ibram X. Kendi cites the report in his book, How to Be An Antiracist (p. 183).
Published by the Office of Policy Planning and Research, U.S. Department of Labor, March 1965. Softcover; some wear and tear to covers; rear cover bottom corner creased. G
The Associated Publishers, Washington, DC, 1965. Good. X-Lib. Revised edition of the original from 1956.
Les Payne, the renowned Pulitzer Prize-winning investigative journalist, embarked in 1990 on a nearly thirty-year-long quest to interview anyone he could find who had actually known Malcolm X--all living siblings of the Malcolm Little family, classmates, street friends, cellmates, Nation of Islam figures, FBI moles and cops, and political leaders around the world. His goal was ambitious: to transform what would become over a hundred hours of interviews into an unprecedented portrait of Malcolm X, one that would separate fact from fiction.
The result is this historic biography that conjures a never-before-seen world of its protagonist, a work whose title is inspired by a phrase Malcolm X used when he saw his Hartford followers stir with purpose, as if the dead were truly arising, to overcome the obstacles of racism. Setting Malcolm's life not only within the Nation of Islam but against the larger backdrop of American history, the book traces the life of one of the twentieth century's most politically relevant figures "from street criminal to devoted moralist and revolutionary."
In tracing Malcolm X's life from his Nebraska birth in 1925 to his Harlem assassination in 1965, Payne provides searing vignettes culled from Malcolm's Depression-era youth, describing the influence of his Garveyite parents: his father, Earl, a circuit-riding preacher who was run over by a street car in Lansing, Michigan, in 1929, and his mother, Louise, who continued to instill black pride in her children after Earl's death. Filling each chapter with resonant drama, Payne follows Malcolm's exploits as a petty criminal in Boston and Harlem in the 1930s and early 1940s to his religious awakening and conversion to the Nation of Islam in a Massachusetts penitentiary.
With a biographer's unwavering determination, Payne corrects the historical record and delivers extraordinary revelations--from the unmasking of the mysterious NOI founder "Fard Muhammad," who preceded Elijah Muhammad; to a hair-rising scene, conveyed in cinematic detail, of Malcolm and Minister Jeremiah X Shabazz's 1961 clandestine meeting with the KKK; to a minute-by-minute account of Malcolm X's murder at the Audubon Ballroom.
Introduced by Payne's daughter and primary researcher, Tamara Payne, who, following her father's death, heroically completed the biography, The Dead Are Arising is a penetrating and riveting work that affirms the centrality of Malcolm X to the African American freedom struggle.
Hear Dr. Todd Michney and Kathleen Crowther discuss this book and the historic Lee-Harvard area on the Lines of Loganberry podcast on Spotify.
Our story starts just west of the intersection of Lee and Seville Roads, where a Black enclave took shape in the 1920s. By establishing a foothold in Cleveland's far southeastern reaches, African Americans laid the successful groundwork for this vicinity to develop as a Black "suburb in the city." This book, the first-ever published history of these neighborhoods, documents and celebrates a success story, a Cleveland case of Black community-building. The making of Lee-Seville and Lee-Harvard unfolded under remarkable circumstances and against considerable odds, thereby offering an instructive example of the life possibilities that some Black Americans in earlier generations were able to create at the city's outskirts.The Cleveland Restoration Society, a regional historic preservation non-profit, has worked for the past several years collecting community history, interviewing and filming residents of the neighborhood and scouring archives and private collections for historical images that help tell the story of this remarkable place.
In this critically acclaimed true crime tale of "welfare queen" Linda Taylor, a Slate editor reveals a "wild, only-in-America story" of political manipulation and murder (Attica Locke, Edgar Award-winning author).
On the South Side of Chicago in 1974, Linda Taylor reported a phony burglary, concocting a lie about stolen furs and jewelry. The detective who checked it out soon discovered she was a welfare cheat who drove a Cadillac to collect ill-gotten government checks. And that was just the beginning: Taylor, it turned out, was also a kidnapper, and possibly a murderer. A desperately ill teacher, a combat-traumatized Marine, an elderly woman hungry for companionship -- after Taylor came into their lives, all three ended up dead under suspicious circumstances. But nobody -- not the journalists who touted her story, not the police, and not presidential candidate Ronald Reagan -- seemed to care about anything but her welfare thievery.
Growing up in the Jim Crow South, Taylor was made an outcast because of the color of her skin. As she rose to infamy, the press and politicians manipulated her image to demonize poor black women. Part social history, part true-crime investigation, Josh Levin's mesmerizing book, the product of six years of reporting and research, is a fascinating account of American racism, and an exposé of the "welfare queen" myth, one that fueled political debates that reverberate to this day.
The Queen tells, for the first time, the fascinating story of what was done to Linda Taylor, what she did to others, and what was done in her name. "In the finest tradition of investigative reporting, Josh Levin exposes how a story that once shaped the nation's conscience was clouded by racism and lies. As he stunningly reveals in this "invaluable work of nonfiction," the deeper truth, the messy truth, tells us something much larger about who we are (David Grann, #1 New York Times bestselling author of Killers of the Flower Moon).
The critically acclaimed journalist and bestselling author of The Rage of a Privileged Class explores one of the most essential rights in America--free speech--and reveals how it is crumbling under the combined weight of polarization, technology, money and systematized lying in this concise yet powerful and timely book.
Named one of Newsweek's 25 Must-Read Fall Fiction and Nonfiction Books to Escape the Chaos of 2020
Free speech has long been one of American's most revered freedoms. Yet now, more than ever, free speech is reshaping America's social and political landscape even as it is coming under attack. Bestselling author and critically acclaimed journalist Ellis Cose wades into the debate to reveal how this Constitutional right has been coopted by the wealthy and politically corrupt.
It is no coincidence that historically huge disparities in income have occurred at times when moneyed interests increasingly control political dialogue. Over the past four years, Donald Trump's accusations of "fake news," the free use of negative language against minority groups, "cancel culture," and blatant xenophobia have caused Americans to question how far First Amendment protections can--and should--go.
Cose offers an eye-opening wholly original examination of the state of free speech in America today, litigating ideas that touch on every American's life. Social media meant to bring us closer, has become a widespread disseminator of false information keeping people of differing opinions and political parties at odds. The nation--and world--watches in shock as white nationalism rises, race and gender-based violence spreads, and voter suppression widens. The problem, Cose makes clear, is that ordinary individuals have virtually no voice at all. He looks at the danger of hyper-partisanship and how the discriminatory structures that determine representation in the Senate and the electoral college threaten the very concept of democracy. He argues that the safeguards built into the Constitution to protect free speech and democracy have instead become instruments of suppression by an unfairly empowered political minority.
But we can take our rights back, he reminds us. Analyzing the experiences of other countries, weaving landmark court cases together with a critical look at contemporary applications, and invoking the lessons of history, including the Great Migration, Cose sheds much-needed light on this cornerstone of American culture and offers a clarion call for activism and change.
ONE OF OPRAH'S "BOOKS THAT HELP ME THROUGH" - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR - The Christian Science Monitor - Southern Living
Our current climate of partisan fury is not new, and in The Soul of America Meacham shows us how what Abraham Lincoln called the "better angels of our nature" have repeatedly won the day. Painting surprising portraits of Lincoln and other presidents, including Ulysses S. Grant, Theodore Roosevelt, Woodrow Wilson, Franklin D. Roosevelt, Harry S. Truman, Dwight Eisenhower, and Lyndon B. Johnson, and illuminating the courage of such influential citizen activists as Martin Luther King, Jr., early suffragettes Alice Paul and Carrie Chapman Catt, civil rights pioneers Rosa Parks and John Lewis, First Lady Eleanor Roosevelt, and Army-McCarthy hearings lawyer Joseph N. Welch, Meacham brings vividly to life turning points in American history. He writes about the Civil War, Reconstruction, and the birth of the Lost Cause; the backlash against immigrants in the First World War and the resurgence of the Ku Klux Klan in the 1920s; the fight for women's rights; the demagoguery of Huey Long and Father Coughlin and the isolationist work of America First in the years before World War II; the anti-Communist witch-hunts led by Senator Joseph McCarthy; and Lyndon Johnson's crusade against Jim Crow. Each of these dramatic hours in our national life have been shaped by the contest to lead the country to look forward rather than back, to assert hope over fear--a struggle that continues even now. While the American story has not always--or even often--been heroic, we have been sustained by a belief in progress even in the gloomiest of times. In this inspiring book, Meacham reassures us, "The good news is that we have come through such darkness before"--as, time and again, Lincoln's better angels have found a way to prevail.
Praise for The Soul of America "Brilliant, fascinating, timely . . . With compelling narratives of past eras of strife and disenchantment, Meacham offers wisdom for our own time."--Walter Isaacson "Gripping and inspiring, The Soul of America is Jon Meacham's declaration of his faith in America."--Newsday
"Meacham gives readers a long-term perspective on American history and a reason to believe the soul of America is ultimately one of kindness and caring, not rancor and paranoia."--USA Today
To most Americans, Malcolm X and Martin Luther King Jr. represent contrasting ideals: self-defense vs. nonviolence, black power vs. civil rights, the sword vs. the shield. The struggle for black freedom is wrought with the same contrasts. While nonviolent direct action is remembered as an unassailable part of American democracy, the movement's militancy is either vilified or erased outright. In The Sword and the Shield, Peniel E. Joseph upends these misconceptions and reveals a nuanced portrait of two men who, despite markedly different backgrounds, inspired and pushed each other throughout their adult lives. This is a strikingly revisionist biography, not only of Malcolm and Martin, but also of the movement and era they came to define.
- Winner of the William Faulkner - William Wisdom Prize
- An INDIE NEXT pick
- Hurston/Wright Legacy Award Nominee
At seventy-two, Johnny Ribkins shouldn't have such problems: He's got one week to come up with the money he stole from his mobster boss or it's curtains. What may or may not be useful to Johnny as he flees is that he comes from an African-American family that has been gifted with super powers that are a bit, well, odd. Okay, very odd. For example, Johnny's father could see colors no one else could see. His brother could scale perfectly flat walls. His cousin belches fire. And Johnny himself can make precise maps of any space you name, whether he's been there or not. In the old days, the Ribkins family tried to apply their gifts to the civil rights effort, calling themselves The Justice Committee. But when their, eh, superpowers proved insufficient, the group fell apart. Out of frustration Johnny and his brother used their talents to stage a series of burglaries, each more daring than the last. Fast forward a couple decades and Johnny's on a race against the clock to dig up loot he's stashed all over Florida. His brother is gone, but he has an unexpected sidekick: his brother's daughter, Eloise, who has a special superpower of her own. Inspired by W. E. B. Du Bois's famous essay "The Talented Tenth" and fuelled by Ladee Hubbard's marvelously original imagination, The Talented Ribkins is a big-hearted debut novel about race, class, politics, and the unique gifts that, while they may cause some problems from time to time, bind a family together.
In 1958, the very same year that an unknown songwriter named Berry Gordy borrowed $800 to found Motown Records, a pretty young mother from Nashville, Tennessee, borrowed $100 from her brother to run a numbers racket out of her home. That woman was Fannie Davis, Bridgett M. Davis's mother.
Part bookie, part banker, mother, wife, and granddaughter of slaves, Fannie ran her numbers business for thirty-four years, doing what it took to survive in a legitimate business that just happened to be illegal. She created a loving, joyful home, sent her children to the best schools, bought them the best clothes, mothered them to the highest standard, and when the tragedy of urban life struck, soldiered on with her stated belief: "Dying is easy. Living takes guts."
A daughter's moving homage to an extraordinary parent, The World According to Fannie Davis is also the suspenseful, unforgettable story about the lengths to which a mother will go to "make a way out of no way" and provide a prosperous life for her family -- and how those sacrifices resonate over time.
*2018 "12 best books to give this holiday season" --TODAY Show
*Best Books of 2018 --Rolling Stone
"A Best Book of 2017" --NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily
*American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'
*Midwest Indie Bestseller
In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.
In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.
In essays that have been published by the New York Times, MTV, and Pitchfork, among others--along with original, previously unreleased essays--Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.
"Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." --Greil Marcus, Village Voice
Much has been written about Berdis Baldwin's son James, about Alberta King's son Martin Luther, and Louise Little's son Malcolm. But virtually nothing has been said about the extraordinary women who raised them.
In her groundbreaking and essential debut The Three Mothers, scholar Anna Malaika Tubbs celebrates Black motherhood by telling the story of the three women who raised and shaped some of America's most pivotal heroes.One of Fortune Magazine's 21 Books to Look Foward to in 2021 Badass Women's Bookclub pick for Badass Books We Can't Wait to Read in 2021!
Berdis Baldwin, Alberta King, and Louise Little were all born at the beginning of the 20th century and forced to contend with the prejudices of Jim Crow as Black women. These three extraordinary women passed their knowledge to their children with the hope of helping them to survive in a society that would deny their humanity from the very beginning--from Louise teaching her children about their activist roots, to Berdis encouraging James to express himself through writing, to Alberta basing all of her lessons in faith and social justice. These women used their strength and motherhood to push their children toward greatness, all with a conviction that every human being deserves dignity and respect despite the rampant discrimination they faced. These three mothers taught resistance and a fundamental belief in the worth of Black people to their sons, even when these beliefs flew in the face of America's racist practices and led to ramifications for all three families' safety. The fight for equal justice and dignity came above all else for the three mothers. These women, their similarities and differences, as individuals and as mothers, represent a piece of history left untold and a celebration of Black motherhood long overdue.
First edition; Inscribed on half-title page: "For Marshall and Mable Wright with our appreciation and warm wishes ~ Lady Bird and Lyndon B. Johnson Christmas 1968." Lady Bird appears to have written the inscription, with each having signed their own name. A green satin ribbon with presidential seal is laid in, as well as a small calling card in envelope, with the name printed as "The President and Mrs. Johnson." Dust jacket in protective cover; very minor shelf wear; flap edges tanned; dark blue cloth with gilt lettering; slight fading on top of front cover; binding tight; text clean and bright. VG/VG