African American

A Yankee Should Never Be Black (signed by author)

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Bascom Books, NY, 1973, nod.  Signed by author.  VG/VG

Art and the Color Line (1939 appeal to DAR for permission for Marian Anderson to be heard in Constitution Hall) (USED)

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A primary document in a key moment of the American Civil Rights movement. Stokes seminal proposal printed for the consideration of the executive committee of the DAR October 23, 1939 and for the Marian Anderson Committee.  VG

Bad Feminist

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From the author of Hunger: A Memoir of (My) Body, the New York Times Bestseller and Best Book of the Year at NPR, the Boston Globe, Newsweek, and many more

A collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay.

"Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink--all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I'm not doing it ironically, though it might seem that way. I once live-tweeted the September issue."

In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.

Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better, coming from one of our most interesting and important cultural critics.

Barracoon

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New York Times Bestseller - TIME Magazine's Best Nonfiction Book of 2018 - New York Public Library's Best Book of 2018 - NPR's Book Concierge Best Book of 2018 - Economist Book of the Year - SELF.com's Best Books of 2018 - Audible's Best of the Year - BookRiot's Best Audio Books of 2018 - The Atlantic's Books Briefing: History, Reconsidered - Atlanta Journal Constitution, Best Southern Books 2018 - The Christian Science Monitor's Best Books 2018 -

"A profound impact on Hurston's literary legacy."--New York Times

"One of the greatest writers of our time."--Toni Morrison

"Zora Neale Hurston's genius has once again produced a Maestrapiece."--Alice Walker

A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade--abducted from Africa on the last "Black Cargo" ship to arrive in the United States.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.

In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.

Based on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

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Black Boy

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Richard Wright's powerful account of his journey from innocence to experience in the Jim Crow South. It is at once an unashamed confession and a profound indictment--a poignant and disturbing record of social injustice and human suffering.

When Black Boy exploded onto the literary scene in 1945, it caused a sensation. Orville Prescott of the New York Times wrote that "if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy." Opposing forces felt compelled to comment: addressing Congress, Senator Theodore Bilbo of Mississippi argued that the purpose of this book "was to plant seeds of hate and devilment in the minds of every American." From 1975 to 1978, Black Boy was banned in schools throughout the United States for "obscenity" and "instigating hatred between the races."

The once controversial, now classic American autobiography measures the brutality and rawness of the Jim Crow South against the sheer desperate will it took to survive. Richard Wright grew up in the woods of Mississippi, with poverty, hunger, fear, and hatred. He lied, stole, and raged at those about him; at six he was a "drunkard," hanging about in taverns. Surly, brutal, cold, suspicious, and self-pitying, he was surrounded on one side by whites who were either indifferent to him, pitying, or cruel, and on the other by blacks who resented anyone trying to rise above the common lot. At the end of Black Boy, Wright sits poised with pencil in hand, determined to "hurl words into this darkness and wait for an echo."

Characteristics of the American Negro

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From "The Negro in American Life Series" which Harper published under the general direction of Dr. Gunnar Myrdal, sponsored by The Carnegie Corporation. Harper & Brothers, 1944 1st ed. Church library stickers.  VG/VG

Clever Hands of the African Negro

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The Associated Publishers, 1945. First edition. Complete with dustjacket (which has some small tears). VG/VG

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Driving While Black

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It's hardly a secret that mobility has always been limited, if not impossible, for African Americans. Before the Civil War, masters confined their slaves to their property, while free black people found themselves regularly stopped, questioned, and even kidnapped. Restrictions on movement before Emancipation carried over, in different forms, into Reconstruction and beyond; for most of the 20th century, many white Americans felt blithely comfortable denying their black countrymen the right to travel freely on trains and buses. Yet it became more difficult to shackle someone who was cruising along a highway at 45 miles per hour.

In Driving While Black, the acclaimed historian Gretchen Sorin reveals how the car--the ultimate symbol of independence and possibility--has always held particular importance for African Americans, allowing black families to evade the many dangers presented by an entrenched racist society and to enjoy, in some measure, the freedom of the open road. She recounts the creation of a parallel, unseen world of black motorists, who relied on travel guides, black only businesses, and informal communications networks to keep them safe. From coast to coast, mom and pop guest houses and tourist homes, beauty parlors, and even large hotels--including New York's Hotel Theresa, the Hampton House in Miami, or the Dunbar Hotel in Los Angeles--as well as night clubs and restaurants like New Orleans' Dooky Chase and Atlanta's Paschal's, fed travelers and provided places to stay the night. At the heart of Sorin's story is Victor and Alma Green's famous Green Book, a travel guide begun in 1936, which helped grant black Americans that most basic American rite, the family vacation.

As Sorin demonstrates, black travel guides and black-only businesses encouraged a new way of resisting oppression. Black Americans could be confident of finding welcoming establishments as they traveled for vacation or for business. Civil Rights workers learned where to stay and where to eat in the South between marches and protests. As Driving While Black reminds us, the Civil Rights Movement was just that--a movement of black people and their allies in defiance of local law and custom. At the same time, she shows that the car, despite the freedoms it offered, brought black people up against new challenges, from segregated ambulance services to unwarranted traffic stops, and the racist violence that too often followed.

Interwoven with Sorin's own family history and enhanced by dozens of little known images, Driving While Black charts how the automobile fundamentally reshaped African American life, and opens up an entirely new view onto one of the most important issues of our time.

Dunbar Critically Examined (USED)

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The Associated Publishers Inc, 1941, nod. Blue boards, library markings.  Good-

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Freedom Is a Constant Struggle : Ferguson, Palestine, and the Foundations of a Movement

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In these newly collected essays, interviews, and speeches, world-renowned activist and scholar Angela Y. Davis illuminates the connections between struggles against state violence and oppression throughout history and around the world.

Reflecting on the importance of black feminism, intersectionality, and prison abolitionism for today's struggles, Davis discusses the legacies of previous liberation struggles, from the Black Freedom Movement to the South African anti-Apartheid movement. She highlights connections and analyzes today's struggles against state terror, from Ferguson to Palestine.

Facing a world of outrageous injustice, Davis challenges us to imagine and build the movement for human liberation. And in doing so, she reminds us that "Freedom is a constant struggle."

Angela Y. Davis is a political activist, scholar, author, and speaker. She is an outspoken advocate for the oppressed and exploited, writing on Black liberation, prison abolition, the intersections of race, gender, and class, and international solidarity with Palestine. She is the author of several books, including Women, Race, and Class and Are Prisons Obsolete? She is the subject of the acclaimed documentary Free Angela and All Political Prisoners and is Distinguished Professor Emerita at the University of California, Santa Cruz.

One of America's most provocative public intellectuals, Dr. Cornel West has been a champion for racial justice since childhood. His writing, speaking, and teaching weave together the traditions of the black Baptist Church, progressive politics, and jazz. The New York Times has praised his "ferocious moral vision." His many books include Race Matters, Democracy Matters, and his autobiography, Brother West: Living and Loving Out Loud.

Frank Barat is a human rights activist and author. He was the coordinator of the Russell Tribunal on Palestine and is now the president of the Palestine Legal Action Network. His books include Gaza in Crisis and Corporate Complicity in Israel's Occupation.

Harriet Tubman

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The Associated Publishers, 1943 (nod), green cloth scuffed, light internal staining.  Library markings otherwise.  Good-

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I Am Not Your Negro

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National Bestseller

Nominated for the Academy Award for Best Documentary

To compose his stunning documentary film I Am Not Your Negro, acclaimed filmmaker Raoul Peck mined James Baldwin's published and unpublished oeuvre, selecting passages from his books, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Weaving these texts together, Peck brilliantly imagines the book that Baldwin never wrote. In his final years, Baldwin had envisioned a book about his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King. His deeply personal notes for the project have never been published before. Peck's film uses them to jump through time, juxtaposing Baldwin's private words with his public statements, in a blazing examination of the tragic history of race in America.

This edition contains more than 40 black-and-white images from the film.

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If Beale Street Could Talk

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In this honest and stunning novel, now a major motion picture directed by Barry Jenkins, James Baldwin has given America a moving story of love in the face of injustice.

Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

In Our Terribleness (Some Elements and Meaning in Black Style) (USED)

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Amiri Baraka was a poet and co-founder of the Black Arts Movement in the 1960's. He collaborated with photographer Fundi (Billy Abernathy) to create In Our Terribleness, a poetic-photographic essay that "both re-creates and defines black life for the black reader" (New York Times, February 14, 1971). This unique book combines elements of poetry, photography, and art. As Ron Welborn wrote in the New York Times, "Couched in the language of the streets and intoned with the rhythms of jazz, it is both an expression and evocation of the rudiments of blackness."

Indianapolis: The Bobbs-Merrill Company, Inc., 1970. Imamu Amiri Baraka (LeRoi Jones) and Fundi (Billy Abernathy). 1st printing. Dust jacket in protective mylar cover; creased with several tears, some repaired with scotch tape; 1/2" at head of spine missing; corners worn; black cloth with silver lettering on spine; bottom corners bumped; gift inscription facing page 5; all elements intact, including mirror on page 5; text clean and bright. Scarce. G+/G-

Jim and Mr. Eddy, A Dixie Motorlogue

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A travelogue recounting Jackson and his wife's roadtrip from Washington DC through the Jim Crow South in the late 1920s, documenting their experience as Black travelers in large cities and small communities across the South.The Associated Publishers, 1930, nod, bookplate of Howard University Library. Good+

Jule

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A first edition with (VG dust jacket) of one of Henderson's only two novels. George Wylie Henderson was born in 1904 in Warriorstand, Alabama, an unincorporated area of Macon County. He attended the limited and segregated rural school. He went to Tuskegee Institute, where he learned printing as a trade. Henderson moved to New York in the Great Migration and supported himself as a printer for the New York Daily News, also becoming associated with writers and artists of the Harlem Renaissance. Henderson lived in New York City until his death.
Creative Age Press, Inc, NY, 1946. VG/VG

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Kindred

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The visionary author's masterpiece pulls us--along with her Black female hero--through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now.

Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana's life will end, long before it has a chance to begin.

Negro Art Music and Rhyme for Young Folks (USED)

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Clean and tight within. The Associated Publishers, Washington, DC, 1938, nod. VG

Negro Folk Tales for Pupils in the Primary Grades, illustrations by Lois Mailou Jones Book 1 (USED)

$25.00
$55.00
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The Associated Publishers Inc, 1938, library markings but interior vg.  1st ed.

Negro History in Thirteen Plays (USED)

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The Associated Publishers Inc, 1935, nod. Ex-library, some water damage.  As is.

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No Justice in the Shadows

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A provocative account of the long, racist history of our immigration system, revealing how it has become the brutal machine that today upends the lives of millions of immigrants
Each year in the United States, hundreds of thousands of people are arrested, imprisoned, and deported, trapped in what leading immigrant rights activist and lawyer Alina Das calls the "deportation machine." The bulk of the arrests target people who have a criminal record--so-called "criminal aliens"--the majority of whose offenses are immigration-, drug-, or traffic-related. These individuals are uprooted from their homes, their families, and their communities, and banished.
Through the stories of those caught in the system, Das traces the ugly history of immigration policy to explain how the US constructed the idea of the "criminal alien," effectively dividing immigrants into the categories "good" and "bad," "deserving" and "undeserving." As Das argues, we need to confront the cruelty of the machine so that we can build an inclusive immigration policy premised on human dignity and break the cycle once and for all.
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Notes of a Native Son

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#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America

In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in "The Harlem Ghetto" to a sobering "Journey to Atlanta."

Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright's work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise.

Notes is the book that established Baldwin's voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin's own search for identity as an artist, as a black man, and as an American.

Patterns of Negro Segregation (USED)

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From "The Negro in American Life Series" which Harper published under the general direction of Dr. Gunnar Myrdal, sponsored by The Carnegie Corporation. Harper & Brothers, 1943, stated first edition, church library bookplate. VG/VG

Pioneers of Long Ago (USED)

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The Associated Publishers Inc, 1951, first edition, Jessie Hailstalk Roy and Geneva Calcier Turner, illustrated by Lois Mailou Jones, introduction by C. Go Woodson. For use in schools, and deaccessioned from school library.  Vg

Plays and Pageants from Life of the Negro

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Tight, clean and bright inside and out. In-text illustrations after woodcuts by James L. Wells. Plays by the editor, Thelma Myrtle Duncan, Maud Cuney-Hare, John Matheus, May Miller, Inez M. Burke, Dorothy C. Guinn, Frances Gunner and Edward J. McCoo.The Associated Publishers Inc, 1930, nod. VG

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Separate

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Separate myth-shattering narrative of one of the most consequential Supreme Court cases of the nineteenth century, Plessy v. Ferguson. The 1896 ruling embraced racial segregation, and its reverberations are still felt today. Drawing on letters, diaries, and archival collections, Steve Luxenberg reveals the origins of racial separation and its pernicious grip on American life. He tells the story through the lives of the people caught up in the case: Louis Martinet, who led the resisters from the mixed-race community of French New Orleans; Albion Tourgée, a best-selling author and the country's best-known white advocate for civil rights; Justice Henry Billings Brown, from antislavery New England, whose majority ruling sanctioned separation; Justice John Harlan, the Southerner from a slaveholding family whose singular dissent cemented his reputation as a steadfast voice for justice. Sweeping, swiftly paced, and richly detailed, Separate is an urgently needed exploration of our nation's most devastating divide.

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Sister Outsider

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The leader of contemporary feminist theory discusses such issues as racism, self-acceptance, and mother- and woman-hood.
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So You Want to Talk About Race

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In this New York Times bestseller, Ijeoma Oluo offers a hard-hitting but user-friendly examination of race in America
Widespread reporting on aspects of white supremacy--from police brutality to the mass incarceration of Black Americans--has put a media spotlight on racism in our society. Still, it is a difficult subject to talk about. How do you tell your roommate her jokes are racist? Why did your sister-in-law take umbrage when you asked to touch her hair--and how do you make it right? How do you explain white privilege to your white, privileged friend?
In So You Want to Talk About Race, Ijeoma Oluo guides readers of all races through subjects ranging from intersectionality and affirmative action to "model minorities" in an attempt to make the seemingly impossible possible: honest conversations about race and racism, and how they infect almost every aspect of American life.
"Oluo gives us--both white people and people of color--that language to engage in clear, constructive, and confident dialogue with each other about how to deal with racial prejudices and biases."--National Book Review
"Generous and empathetic, yet usefully blunt . . . it's for anyone who wants to be smarter and more empathetic about matters of race and engage in more productive anti-racist action."--Salon (Required Reading)

Talking Animals, illustrated by James A. Porter (USED)

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The Associated Publishers Inc., 1949, nod, 4to, b&w illustrations by James A. Porter, African folk tales and crafts by Wilfrid Dyson Hambly (1886-1962) curator of African Ethnology at Chicago natural History Museum.  VG/VG

James A. Porter, born in Baltimore in 1905, has been called the first African-American art historian. His 1943 book, Modern Negro Art, was the earliest comprehensive treatment of African-American art and remains a classic in its field. He attended public schools in the District of Columbia and later graduated from Howard University in 1927. He became an art instructor at the university and chairman of its art department, a position he retained until his death. TALKING ANIMALS is a rare example of children's illustration from this pillar of American art history scholarship.

The Black Man In White America (USED)

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The Black Man in White America is Van Deusen's most famous book. As a Professor of American History at Hobart College, his research included major emphasis on the role of African Americans in politics and the life of President Abraham Lincoln. The Associated Publishers Inc, 1938 first edition. VG/VG

The Black Man in White America, Revised Edition (USED)

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The Child's Story of the Negro, illustrated by Lois Mailou Jones (USED)

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The Associated Publishers, Washington, DC, 1965. Good. X-Lib. Revised edition of the original from 1956.

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The Fire Next Time

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A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters, " written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose, " The Fire Next Time stands as a classic of our literature.

The Negro and His Songs (USED)

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The Negro in Business

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Hertel Jenkins & Co, 1907 (nod). Interior vg, but binding is heavily damaged, though intact. Poor.

The Negro in Sports (Revised Edition) (USED)

$195.00
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With Black and white illustrations throughout. The Associated Publishers Inc, Washington, DC, 1949 (1939) Revised Edition. This is a scarce title in series of publisher's books.  VG/G+

The Negro's Share, A Study of Income, Consumption, Housing and Public Assistance (USED)

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The Queen

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Winner of the National Book Critics Circle Award in Biography
In this critically acclaimed true crime tale of "welfare queen" Linda Taylor, a Slate editor reveals a "wild, only-in-America story" of political manipulation and murder (Attica Locke, Edgar Award-winning author).
On the South Side of Chicago in 1974, Linda Taylor reported a phony burglary, concocting a lie about stolen furs and jewelry. The detective who checked it out soon discovered she was a welfare cheat who drove a Cadillac to collect ill-gotten government checks. And that was just the beginning: Taylor, it turned out, was also a kidnapper, and possibly a murderer. A desperately ill teacher, a combat-traumatized Marine, an elderly woman hungry for companionship -- after Taylor came into their lives, all three ended up dead under suspicious circumstances. But nobody -- not the journalists who touted her story, not the police, and not presidential candidate Ronald Reagan -- seemed to care about anything but her welfare thievery.
Growing up in the Jim Crow South, Taylor was made an outcast because of the color of her skin. As she rose to infamy, the press and politicians manipulated her image to demonize poor black women. Part social history, part true-crime investigation, Josh Levin's mesmerizing book, the product of six years of reporting and research, is a fascinating account of American racism, and an exposé of the "welfare queen" myth, one that fueled political debates that reverberate to this day.
The Queen tells, for the first time, the fascinating story of what was done to Linda Taylor, what she did to others, and what was done in her name. "In the finest tradition of investigative reporting, Josh Levin exposes how a story that once shaped the nation's conscience was clouded by racism and lies. As he stunningly reveals in this "invaluable work of nonfiction," the deeper truth, the messy truth, tells us something much larger about who we are (David Grann, #1 New York Times bestselling author of Killers of the Flower Moon).
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The Sword and the Shield

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This dual biography of Malcolm X and Martin Luther King upends longstanding preconceptions to transform our understanding of the twentieth century's most iconic African American leaders.
To most Americans, Malcolm X and Martin Luther King Jr. represent contrasting ideals: self-defense vs. nonviolence, black power vs. civil rights, the sword vs. the shield. The struggle for black freedom is wrought with the same contrasts. While nonviolent direct action is remembered as an unassailable part of American democracy, the movement's militancy is either vilified or erased outright. In The Sword and the Shield, Peniel E. Joseph upends these misconceptions and reveals a nuanced portrait of two men who, despite markedly different backgrounds, inspired and pushed each other throughout their adult lives. This is a strikingly revisionist biography, not only of Malcolm and Martin, but also of the movement and era they came to define.
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The World According to Fannie Davis

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As seen on the TODAY SHOW
A singular memoir highlighting "the outstanding humanity of black America" that tells the story of one unforgettable mother, her devoted daughter, and the life they lead in the Detroit numbers of the 1960s and 1970s (James McBride)

In 1958, the very same year that an unknown songwriter named Berry Gordy borrowed $800 to found Motown Records, a pretty young mother from Nashville, Tennessee borrowed $100 from her brother to run a Numbers racket out of her home. That woman was Fannie Davis, Bridgett M. Davis' mother.
Part bookie, part banker, mother, wife, granddaughter of slaves, Fannie ran her numbers business for 34 years, doing what it took to survive in a legitimate business that just happened to be illegal. She created a loving, joyful home, sent her children to the best schools, bought them the best clothes, mothered them to the highest standard, and when the tragedy of urban life struck, soldiered on with her stated belief: "Dying is easy. Living takes guts."
A daughter's moving homage to an extraordinary parent, The World According to Fannie Davis is also the suspenseful, unforgettable story about the lengths to which a mother will go to "make a way out of no way" to provide a prosperous life for her family -- and how those sacrifices resonate over time.
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The World According to Fannie Davis

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As seen on the Today Show This true story of an unforgettable mother, her devoted daughter, and their life in the Detroit numbers of the 1960s and 1970s highlights "the outstanding humanity of black America" (James McBride).
In 1958, the very same year that an unknown songwriter named Berry Gordy borrowed $800 to found Motown Records, a pretty young mother from Nashville, Tennessee, borrowed $100 from her brother to run a numbers racket out of her home. That woman was Fannie Davis, Bridgett M. Davis's mother.
Part bookie, part banker, mother, wife, and granddaughter of slaves, Fannie ran her numbers business for thirty-four years, doing what it took to survive in a legitimate business that just happened to be illegal. She created a loving, joyful home, sent her children to the best schools, bought them the best clothes, mothered them to the highest standard, and when the tragedy of urban life struck, soldiered on with her stated belief: "Dying is easy. Living takes guts."
A daughter's moving homage to an extraordinary parent, The World According to Fannie Davis is also the suspenseful, unforgettable story about the lengths to which a mother will go to "make a way out of no way" and provide a prosperous life for her family -- and how those sacrifices resonate over time.
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THEY CAN'T KILL US UNTIL THEY KILL US

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*2018 "12 best books to give this holiday season" --TODAY Show
*Best Books of 2018 --Rolling Stone
"A Best Book of 2017" --NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily
*American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'
*Midwest Indie Bestseller

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others--along with original, previously unreleased essays--Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

"Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." --Greil Marcus, Village Voice

Valuable Books on the Negro Associated Publisher catalog (no date) (USED)

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A 16pp catalog issued by The Associated Publishers, Inc, likely in the early 1950s. The cover states the aim of the publisher "The Plan: The publications of the Associated Publishers are planned to cover in the form of textbooks and popular treatises every phase of Negro life and history. The aim here is to make possible the publication and circulation of valuable books on the Negro not acceptable to most publishers."

What Doesn't Kill You Makes You Blacker

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From the cofounder of VerySmartBrothas.com, and one of the most read writers on race and culture at work today, a provocative and humorous memoir-in-essays that explores the ever-shifting definitions of what it means to be Black (and male) in America

For Damon Young, existing while Black is an extreme sport. The act of possessing black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as "How should I react here, as a professional black person?" and "Will this white person's potato salad kill me?" are forever relevant.

What Doesn't Kill You Makes You Blacker chronicles Young's efforts to survive while battling and making sense of the various neuroses his country has given him.

It's a condition that's sometimes stretched to absurd limits, provoking the angst that made him question if he was any good at the "being straight" thing, as if his sexual orientation was something he could practice and get better at, like a crossover dribble move or knitting; creating the farce where, as a teen, he wished for a white person to call him a racial slur just so he could fight him and have a great story about it; and generating the surreality of watching gentrification transform his Pittsburgh neighborhood from predominantly Black to "Portlandia . . . but with Pierogies."

And, at its most devastating, it provides him reason to believe that his mother would be alive today if she were white.

From one of our most respected cultural observers, What Doesn't Kill You Makes You Blacker is a hilarious and honest debut that is both a celebration of the idiosyncrasies and distinctions of Blackness and a critique of white supremacy and how we define masculinity.

Word Pictures of Great Negroes (USED)

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