American History
A NATIONAL BESTSELLER
"My Grandmother's Hands will change the direction of the movement for racial justice."-- Robin DiAngelo, New York Times bestselling author of White Fragility
In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology.
The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans--our police.
My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide.
"Charlayne Hunter-Gault is an eminent Dean of American journalism, a vital voice whose work chronicled the civil rights movement and so much of what has transpired since then. My People is the definitive collection of her reportage and commentary. Spanning datelines in the American South, South Africa and points scattered in between, her work constitutes a history of our time as rendered by the pen of a singular and indispensable black woman journalist."-Jelani Cobb
From the legendary Emmy Award-winning journalist, a collection of ground-breaking reportage from across five decades which vividly chronicles the experience of Black life in America today.
At just nineteen years old, Charlayne Hunter-Gault made national news after she had mounted a successful legal challenge that culminated in her admission to the University of Georgia in January 1961--making her one of the first two Black students to integrate the institution. As an adult, Charlayne switched from being the subject of news to covering it, becoming one of its most recognized and acclaimed interpreters.
Over more than five decades, this dedicated reporter charted a course through some of the world's most respected journalistic institutions, including The New Yorker, NBC, and the New York Times, where she was often the only Black woman in the newsroom. Throughout her storied career, Charlayne has chronicled the lives of Black people in America--shining a light on their experiences and giving a glimpse into their community as never before. Though she has covered numerous topics and events, observed as a whole, her work reveals the evolving issues at the forefront of Black Americans lives and how many of the same issues continue to persist today.
My People showcases Charlayne's lifelong commitment to reporting on Black people in their totality, "in ways that are recognizable to themselves." Spanning from the Civil Rights Movement through the election and inauguration of America's first Black president and beyond, this invaluable collection shows the breadth and nuance of the Black experience through trials, tragedies, and triumphs of everyday lives.
Negro Folk Tales for Pupils in the Primary Grades, illustrations by Lois Mailou Jones Book 1 (USED)
The Associated Publishers Inc, 1938, library markings but interior vg. 1st ed.
Named one of the most important nonfiction books of the 21st century by Entertainment Weekly' Slate' Chronicle of Higher Education' Literary Hub, Book Riot' and Zora
A tenth-anniversary edition of the iconic bestseller--"one of the most influential books of the past 20 years," according to the Chronicle of Higher Education--with a new preface by the author
"It is in no small part thanks to Alexander's account that civil rights organizations such as Black Lives Matter have focused so much of their energy on the criminal justice system."
--Adam Shatz, London Review of Books
Seldom does a book have the impact of Michelle Alexander's The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it helped inspire the creation of the Marshall Project and the new $100 million Art for Justice Fund; it has been the winner of numerous prizes, including the prestigious NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list.
Most important of all, it has spawned a whole generation of criminal justice reform activists and organizations motivated by Michelle Alexander's unforgettable argument that "we have not ended racial caste in America; we have merely redesigned it." As the Birmingham News proclaimed, it is "undoubtedly the most important book published in this century about the U.S."
Now, ten years after it was first published, The New Press is proud to issue a tenth-anniversary edition with a new preface by Michelle Alexander that discusses the impact the book has had and the state of the criminal justice reform movement today.
In August 2018 a fifteen-year-old Swedish girl, Greta Thunberg, decided not to go to school one day in order to protest the climate crisis. Her actions sparked a global movement, inspiring millions of students to go on strike for our planet, forcing governments to listen, and earning her a Nobel Peace Prize nomination. No One Is Too Small to Make A Difference brings you Greta in her own words, for the first time. Collecting her speeches that have made history across the globe, from the United Nations to Capitol Hill and mass street protests, her book is a rallying cry for why we must all wake up and fight to protect the living planet, no matter how powerless we feel. Our future depends upon it.
Told with Baldwin's characteristically unflinching honesty, this "splendid book" (The New York Times) offers illuminating, deeply felt essays along with personal accounts of Richard Wright, Norman Mailer and other writers. "James Baldwin is a skillful writer, a man of fine intelligence and a true companion in the desire to make life human. To take a cue from his title, we had better learn his name." --The New York Times
Weaving together American history, dramatic family chronicle, and searing episodes of memoir, Annette Gordon-Reed's On Juneteenth provides a historian's view of the country's long road to Juneteenth, recounting both its origins in Texas and the enormous hardships that African-Americans have endured in the century since, from Reconstruction through Jim Crow and beyond. All too aware of the stories of cowboys, ranchers, and oilmen that have long dominated the lore of the Lone Star State, Gordon-Reed--herself a Texas native and the descendant of enslaved people brought to Texas as early as the 1820s--forges a new and profoundly truthful narrative of her home state, with implications for us all.
Combining personal anecdotes with poignant facts gleaned from the annals of American history, Gordon-Reed shows how, from the earliest presence of Black people in Texas to the day in Galveston on June 19, 1865, when Major General Gordon Granger announced the end of legalized slavery in the state, African-Americans played an integral role in the Texas story.
Reworking the traditional "Alamo" framework, she powerfully demonstrates, among other things, that the slave- and race-based economy not only defined the fractious era of Texas independence but precipitated the Mexican-American War and, indeed, the Civil War itself.
In its concision, eloquence, and clear presentation of history, On Juneteenth vitally revises conventional renderings of Texas and national history. As our nation verges on recognizing June 19 as a national holiday, On Juneteenth is both an essential account and a stark reminder that the fight for equality is exigent and ongoing.Mind control. Satanic rituals. Unspeakable sexual perversions. Supervillains eating children's brains. A divine mandate to keep Donald Trump in the White House, no matter what.
This surreal combination of horror-movie shocks and fascist marching orders is the signature of QAnon, which emerged from the dark corners of the internet in 2017 and soon became the galvanizing force behind Trump supporters, both during Trump's presidency and in the volatile, ongoing aftermath of the 2020 election. But despite the strange pervasiveness of QAnon, its origins remain obscure. Who is behind QAnon's messaging, and what do they want? And why do they pair their extreme political agenda with such obviously made-up, phantasmagorical beliefs?
In Operation Mindfuck, Robert Guffey argues that this is not as mysterious as QAnon's anonymous "drops" of cryptic directives seem to be. Drawing on an encyclopedic knowledge of conspiracy theories and mixing deep-dive research, political analysis, and firsthand notes from QAnon's underbelly, Guffey insists that we've seen it all before.
Unraveling QAnon's patchwork quilt of recycled material, from pulp-fiction spook stories to Hunter S. Thompson-style pranksterism to Nixon-esque dirty tricks, Guffey diagnoses QAnon as a highly engineered ploy, calibrated to capture the attention and lock-step loyalty of its audience. Will its followers ever realize that they've been had? Can this new American religion be dispelled as a cult like any other? The answers, Operation Mindfuck reveals, are hidden in plain sight.