Arts
"Ms. Washburn is a writer of questing imagination and convention-bending technique." --Ben Brantley, New York Times
In Anne Washburn's captivating new drama, a group of old friends--who, now in middle age, have mostly lost touch over the years--reunite at a remote Texas estate for the funeral of one of their own. As the former friends confront the memories of their shared past, the walls quickly dissolve (literally and figuratively) into a realm bordering on supernatural. A haunting tale of loss and friendship, Washburn seamlessly blurs the lines between the real and surreal, inviting us into a world of humor, imagination and mystery.
The devastation of war is tearing the Bharata family apart. The new king must unravel a mystery: how can he live with himself in the face of the devastation and massacres that he has caused?
An immense canvas in miniature, this central section of the ancient text is timeless and contemporary, asking how we can find inner peace in a world riven with conflict.
With their colorful feathers, beautiful songs, power of flight, and dinosaur ancestry, birds are truly astonishing creatures. But did you know that the huge variety of known species includes daring acrobats, inconsiderate noisemakers, ruthless hunters, wonderful swimmers, and blazing runners? Or that the tiniest bird in the world measures just two inches long?
Beautifully illustrated by Olivia Cosneau, Birds of the World introduces aspiring ornithologists to these and other fun facts through a range of coloring activities, removable stickers, and a short quiz. In the process, children learn about the rich variety of birds living in our world, including nightingales, swallows, hummingbirds, pelicans, penguins, parrots, toucans, and flamingos, among others.
The only official companion book to the Tony Award winner for Best Musical from the creators of South Park and the co-creator of Avenue Q. Features the complete script and song lyrics, with 4-color spot illustrations throughout, an original introduction by the creators, and a foreword by Mark Harris.
The Book of Mormon, which follows a pair of mismatched Mormon boys sent on a mission to a place that's about as far from Salt Lake City as you can get, features book, music, and lyrics by Trey Parker, Robert Lopez and Matt Stone.
Parker and Stone are the four-time Emmy Award-winning creators of Comedy Central's landmark animated series South Park. Tony Award-winner Lopez is co-creator of the long-running hit musical comedy Avenue Q. The Book of Mormon is choreographed by three-time Tony Award-nominee Casey Nicholaw (Monty Python's Spamalot, The Drowsy Chaperone) and is directed by Nicholaw and Parker.
The book includes - an original foreword by journalist Mark Harris (author of Pictures at a Revolution) - an original introduction by the authors on the genesis of the show - a production history - the complete book and lyrics, with four-color spot illustrations throughout.
The riveting story of how three years spent in the United States transformed Frida Kahlo into the artist we know today
"[An] insightful debut....Featuring meticulous research and elegant turns of phrase, Stahr's engrossing account provides scholarly though accessible analysis for both feminists and art lovers." --Publisher's Weekly
Mexican artist Frida Kahlo adored adventure. In November, 1930, she was thrilled to realize her dream of traveling to the United States to live in San Francisco, Detroit, and New York. Still, leaving her family and her country for the first time was monumental.
Only twenty-three and newly married to the already world-famous forty-three-year-old Diego Rivera, she was at a crossroads in her life and this new place, one filled with magnificent beauty, horrific poverty, racial tension, anti-Semitism, ethnic diversity, bland Midwestern food, and a thriving music scene, pushed Frida in unexpected directions. Shifts in her style of painting began to appear, cracks in her marriage widened, and tragedy struck, twice while she was living in Detroit.
Frida in America is the first in-depth biography of these formative years spent in Gringolandia, a place Frida couldn't always understand. But it's precisely her feelings of being a stranger in a strange land that fueled her creative passions and an even stronger sense of Mexican identity. With vivid detail, Frida in America recreates the pivotal journey that made Senora Rivera the world famous Frida Kahlo.
Based on an original new story by J.K. Rowling, John Tiffany, and Jack Thorne, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The play will receive its world premiere in London's West End on July 30, 2016.
It was always difficult being Harry Potter and it isn't much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children.
While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.
This Special Rehearsal Edition will be available to purchase until early 2017, after which a Definitive Edition of the script will go on sale.
Abridged edition; revision and extension of "The Atlas of the Munsell Color System" by A.H. Munsell; published by the Munsell Color Company, Baltimore, MD, 1929. Six-ring binder with 21 card-stock pages of color chips organized on a chroma scale; each page is enclosed in a plastic cover; includes three uncut "masks" used for comparing hues. Binding has very minor wear; gilt lettering on cover and spine is worn, but still legible; former owner's bookplate affixed to inside front cover; this copy is identified as serial no. 297. VG+
Clean and tight within. The Associated Publishers, Washington, DC, 1938, nod. VG
Should museums be made to give back their marbles? Is it even possible to 'decolonise' our galleries? Must Rhodes fall? From the stolen Wakandan art in Black Panther, to Emmanuel Macron's recent commitment to art restitution, and Beyoncé and Jay Z's provocative music video filmed in the Louvre, the question of decolonising our relationship with the art around us is quickly gaining traction. People are waking up to the seedy history of the world's art collections, and are starting to ask difficult questions about what the future of museums should look like.
In The Whole Picture, art historian and Uncomfortable Art Tour guide Alice Procter provides a manual for deconstructing everything you thought you knew about art, and fills in the blanks with the stories that have been left out of the art history canon for centuries. The book is divided into four chronological sections, named after four different kinds of art space:
The Palace The Classroom The Memorial The Playground
Each section tackles the fascinating and often shocking stories of five different art pieces, including the propaganda painting that the East India Company used to justify its control in India; the Maori mokomokai skulls that were traded and collected by Europeans as 'art objects'; and Kara Walker's controversial contemporary sculpture A Subtlety, which raised questions about 'appropriate' interactions with art. Through these stories, Alice brings out the underlying colonial narrative lurking beneath the art industry today, and suggests different ways of seeing and thinking about art in the modern world.
The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.
A 16pp catalog issued by The Associated Publishers, Inc, likely in the early 1950s. The cover states the aim of the publisher "The Plan: The publications of the Associated Publishers are planned to cover in the form of textbooks and popular treatises every phase of Negro life and history. The aim here is to make possible the publication and circulation of valuable books on the Negro not acceptable to most publishers."
