Arts

A modern verse play about the search for meaning, in which a psychiatrist is the catalyst for the action. “An authentic modern masterpiece” (New York Post). “Eliot really does portray real-seeming characters. He cuts down his poetic effects to the minimum, and then finally rewards us with most beautiful poetry” (Stephen Spender).

1st American edition; dust jacket in protective cover; spine faded; covers lightly foxed; black cloth; endpapers tanned and lightly foxed; binding good; text clean. G/G

Heavy Industry Publications, 1969. Cardstock covers with white dust jacket, orange lettering on cover and spine; very light wear to edges, some mild toning to top edge; binding tight; text clean. Scarce. VG

In Cross of Snow, the result of more than twelve years of research, including access to never-before-examined letters, diaries, journals, notes, Nicholas Basbanes reveals the life, the times, the work--the soul--of the man who shaped the literature of a new nation with his countless poems, sonnets, stories, essays, translations, and whose renown was so wide-reaching that his deep friendships included Charles Dickens, Nathaniel Hawthorne, Ralph Waldo Emerson, Julia Ward Howe, and Oscar Wilde.

Basbanes writes of the shaping of Longfellow's character, his huge body of work that included translations of numerous foreign works, among them, the first rendering into a complete edition by an American of Dante's Divine Comedy. We see Longfellow's two marriages, both happy and contented, each cut short by tragedy. His first to Mary Storer Potter that ended in the aftermath of a miscarriage, leaving Longfellow devastated. His second marriage to the brilliant Boston socialite--Fanny Appleton, after a three-year pursuit by Longfellow (his fiery crucible, he called it), and his emergence as a literary force and a man of letters.

A portrait of a bold artist, experimenter of poetic form and an innovative translator--the human being that he was, the times in which he lived, the people whose lives he touched, his monumental work and its place in his America and ours.

London: Winsor & Newton, Limited, [1887]. No. 43 in the One Shilling & Threepenny Handbooks on Art. With an Introductory Essay on the Recent Water-Colour Controversy; contains six plates illustrated with seventy-two colour washes skilfully [sic] gradated by hand on Whatman's drawing paper. Twenty-third thousand. Copyright date derived from end of preface. Paper covered boards scuffed, stained, worn; spine beginning to split where plates have been stapled into binding; light foxing on plates. G