Crafts
Add a new twist to your love of horses. Fashionably express it by wearing a bracelet you braided from your horse's hair.
This guide will teach you how to:
▪ Legally obtain horsehair.
▪ Prepare it for braiding.
▪ Plait three braids: a 4-string, a 6-string, and an 8-string.
▪ Measure your wrist and determine the length of braid you need for your bracelet.
▪ Attach the end caps, rings, and clasp.
The sooner you begin braiding your keepsake bracelet, the sooner you can wear your love on your sleeve!
Oakland, CA: Magnolia Editions, 1997. String-tied Japanese paper covers with illustrated paper label on cover; some ink smear on title; beautifully illustrated doubled-folded pages; very little wear. VG-
"The impressive collection of writers here have contributed essays that celebrate knitting and knitters. They share their knitting triumphs and disasters as well as their life triumphs and disasters...These essays will break your heart. They will have you laughing out loud." --Ann Hood, from the introduction
Why does knitting occupy a place in the hearts of so many writers? What's so magical and transformative about yarn and needles? How does knitting help us get through life-changing events and inspire joy? In Knitting Yarns, twenty-seven writers tell stories about how knitting healed, challenged, or helped them to grow. Barbara Kingsolver describes sheering a sheep for yarn. Elizabeth Berg writes about her frustration at failing to knit. Ann Patchett traces her life through her knitting, writing about the scarf that knits together the women she's loved and lost. Knitting a Christmas gift for his blind aunt helped Andre Dubus III knit an understanding with his girlfriend. Kaylie Jones finds the woman who used knitting to help raise her in France and heals old wounds. Sue Grafton writes about her passion for knitting. Also included are five original knitting patterns created by Helen Bingham.
Poignant, funny, and moving, Knitting Yarns is sure to delight knitting enthusiasts and lovers of literature alike.
Lithuanian Folk Art Institute, Toronto, Canada 1982; dust jacket in protective cover; corners rubbed; edges lightly worn; green cloth with gilt decoration and lettering; gift inscription in ink on ffep; exhibit pamphlet laid in. VG/G
