Feminist History & Theory

"Riveting." --People

"Keith O'Brien has brought these women--mostly long-hidden and forgotten--back into the light where they belong. And he's done it with grace, sensitivity and a cinematic eye for detail that makes Fly Girls both exhilarating and heartbreaking." --USA Today

The untold story of five women who fought to compete against men in the high-stakes national air races of the 1920s and 1930s -- and won

Between the world wars, no sport was more popular, or more dangerous, than airplane racing. Thousands of fans flocked to multi-day events, and cities vied with one another to host them. The pilots themselves were hailed as dashing heroes who cheerfully stared death in the face. Well, the men were hailed. Female pilots were more often ridiculed than praised for what the press portrayed as silly efforts to horn in on a manly, and deadly, pursuit. Fly Girls recounts how a cadre of women banded together to break the original glass ceiling: the entrenched prejudice that conspired to keep them out of the sky.

O'Brien weaves together the stories of five remarkable women: Florence Klingensmith, a high-school dropout who worked for a dry cleaner in Fargo, North Dakota; Ruth Elder, an Alabama divorcee; Amelia Earhart, the most famous, but not necessarily the most skilled; Ruth Nichols, who chafed at the constraints of her blue-blood family's expectations; and Louise Thaden, the mother of two young kids who got her start selling coal in Wichita. Together, they fought for the chance to race against the men -- and in 1936 one of them would triumph in the toughest race of all.

Like Hidden Figures and Girls of Atomic City, Fly Girls celebrates a little-known slice of history in which tenacious, trail-blazing women braved all obstacles to achieve greatness.

"One of the Best Books of the 21st Century."
--The Guardian

"No writer has better understood the mix of fear and possibility, peril and exuberance that's marked this new millennium."
--Bill McKibben

"An elegant reminder that activist victories are easily forgotten, and that they often come in extremely unexpected, roundabout ways."
--The New Yorker

A book as powerful and influential as Rebecca Solnit's Men Explain Things to Me, her Hope in the Dark was written to counter the despair of radicals at a moment when they were focused on their losses and had turned their back to the victories behind them--and the unimaginable changes soon to come. In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argued that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. Now, with a moving new introduction explaining how the book came about and a new afterword that helps teach us how to hope and act in our unnerving world, she brings a new illumination to the darkness of 2016 in an unforgettable new edition of this classic book.

Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.

"This slim book--seven essays, punctuated by enigmatic, haunting paintings by Ana Teresa Fernandez--hums with power and wit."--Boston Globe

"The antidote to mansplaining."--The Stranger

"Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions."--Salon

"Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society."--San Francisco Chronicle Top Shelf

"Solnit [is] the perfect writer to tackle the subject: her prose style is so clear and cool."--The New Republic

"The terrain has always felt familiar, but Men Explain Things To Me is a tool that we all need in order to find something that was almost lost."--National Post

In her comic, scathing essay, "Men Explain Things to Me," Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don't, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.

This updated edition with two new essays of this national bestseller book features that now-classic essay as well as "#YesAllWomen," an essay written in response to 2014 Isla Vista killings and the grassroots movement that arose with it to end violence against women and misogyny, and the essay "Cassandra Syndrome." This book is also available in hardcover.

Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.

North American Review was founded in Boston in 1815 and is the oldest literary magazine in the United States. Contributors include important nineteenth-century American writers and thinkers such as Ralph Waldo Emerson, Harriet Beecher Stowe, Frederick Douglass, Edith Wharton, and Charlotte Perkins Gilman; and twentieth-century writers like William Carlos Williams, John Steinbeck, Thomas Wolfe, William Saroyan, and Flannery O’Connor.

This issue from 1914 includes the article "Two Suffrage Mistakes," by Molly Elliot Seawell, an early American historian and writer who was vehemently opposed to women's suffrage. In her stance against suffrage, she believed that women who voted would be subjected to higher taxes, and could be forced to support their husbands. They would also endure higher rates of illiteracy, poverty, and divorce, would be victims of more violence, and were exposed to socialism. She also believed that woman suffrage would lead to a return of African American voting. Seawell extended her anti-suffrage sentiments to other countries, and she condemned militant English suffragists such as Emmeline Pankhurst, whom she characterized as a serial criminal. [Brent Tarter, "Molly Elliot Seawell (1853–1916)," Dictionary of Virginia Biography, Library of Virginia (1998– ), published 2019 (https://www.lva.virginia.gov/public/dvb/bio.php?b=Seawell_Molly_Elliot, accessed February 24, 2021)]

Original wraps; 1" top of spine missing; 1" tear at bottom of spine; small tear middle of spine; edges worn; library stamp very faint in upper right corner of cover; staples rusty; text clean.  G

She couldn't have been more than seven or eight years old. "Go ahead, ask your question," her father urged, nudging her forward. She smiled shyly and said, "You're my hero. Who's yours?"

Many people--especially girls--have asked us that same question over the years. It's one of our favorite topics.

HILLARY: Growing up, I knew hardly any women who worked outside the home. So I looked to my mother, my teachers, and the pages of Life magazine for inspiration. After learning that Amelia Earhart kept a scrapbook with newspaper articles about successful women in male-dominated jobs, I started a scrapbook of my own. Long after I stopped clipping articles, I continued to seek out stories of women who seemed to be redefining what was possible.

CHELSEA: This book is the continuation of a conversation the two of us have been having since I was little. For me, too, my mom was a hero; so were my grandmothers. My early teachers were also women. But I grew up in a world very different from theirs. My pediatrician was a woman, and so was the first mayor of Little Rock who I remember from my childhood. Most of my close friends' moms worked outside the home as nurses, doctors, teachers, professors, and in business. And women were going into space and breaking records here on Earth.

Ensuring the rights and opportunities of women and girls remains a big piece of the unfinished business of the twenty-first century. While there's a lot of work to do, we know that throughout history and around the globe women have overcome the toughest resistance imaginable to win victories that have made progress possible for all of us. That is the achievement of each of the women in this book.

So how did they do it? The answers are as unique as the women themselves. Civil rights activist Dorothy Height, LGBTQ trailblazer Edie Windsor, and swimmer Diana Nyad kept pushing forward, no matter what. Writers like Rachel Carson and Chimamanda Ngozi Adichie named something no one had dared talk about before. Historian Mary Beard used wit to open doors that were once closed, and Wangari Maathai, who sparked a movement to plant trees, understood the power of role modeling. Harriet Tubman and Malala Yousafzai looked fear in the face and persevered. Nearly every single one of these women was fiercely optimistic--they had faith that their actions could make a difference. And they were right.

To us, they are all gutsy women--leaders with the courage to stand up to the status quo, ask hard questions, and get the job done. So in the moments when the long haul seems awfully long, we hope you will draw strength from these stories. We do. Because if history shows one thing, it's that the world needs gutsy women.