Feminist History & Theory
A potent and electrifying critique of today's feminist movement announcing a fresh new voice in black feminism Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others? In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.
The New York Times Bestseller
National Book Critics Circle Award Finalist
Lambda Literary Award winner
From Roxane Gay, the New York Times bestselling author of Bad Feminist, a memoir in weight about eating healthier, finding a tolerable form of exercise, and exploring what it means to learn, in the middle of your life, how to take care of yourself and how to feed your hunger.
New York Times bestselling author Roxane Gay has written with intimacy and sensitivity about food and bodies, using her own emotional and psychological struggles as a means of exploring our shared anxieties over pleasure, consumption, appearance, and health. As a woman who describes her own body as "wildly undisciplined," Roxane understands the tension between desire and denial, between self-comfort and self-care. In Hunger, she casts an insightful and critical eye on her childhood, teens, and twenties--including the devastating act of violence that acted as a turning point in her young life--and brings readers into the present and the realities, pains, and joys of her daily life.
With the bracing candor, vulnerability, and authority that have made her one of the most admired voices of her generation, Roxane explores what it means to be overweight in a time when the bigger you are, the less you are seen. Hunger is a deeply personal memoir from one of our finest writers, and tells a story that hasn't yet been told but needs to be.
For all who inhabit a body and wonder about its place in the universe.
In Loving What Doesn't Last: An Adoration of the Body, Christina Kukuk reminds us that what matters most are things don't last forever. We find faith, hope, and love in and the string of endings and beginnings that make a life: a mother who plants an orchard in her son's memory, a girl's struggle with food scarcity, an adolescent awakening to infatuation at summer camp, and a woman waiting hours for her lover's recovery on a hospital's transplant floor. In every fleeting moment from the first pangs of birth to our last breath, God is in all of it.
A Good Morning America Book Pick
The author of the international bestseller How to Be a Woman returns with another "hilarious neo-feminist manifesto" (NPR) in which she reflects on parenting, middle-age, marriage, existential crises--and, of course, feminism.
A decade ago, Caitlin Moran burst onto the scene with her instant bestseller, How to Be a Woman, a hilarious and resonant take on feminism, the patriarchy, and all things womanhood. Moran's seminal book followed her from her terrible 13th birthday through adolescence, the workplace, strip-clubs, love, and beyond--and is considered the inaugural work of the irreverent confessional feminist memoir genre that continues to occupy a major place in the cultural landscape.
Since that publication, it's been a glorious ten years for young women: Barack Obama loves Fleabag, and Dior make "FEMINIST" t-shirts. However, middle-aged women still have some nagging, unanswered questions: Can feminists have Botox? Why isn't there such a thing as "Mum Bod"? Why do hangovers suddenly hurt so much? Is the camel-toe the new erogenous zone? Why do all your clothes suddenly hate you? Has feminism gone too far? Will your To Do List ever end? And WHO'S LOOKING AFTER THE CHILDREN?
As timely as it is hysterically funny, this memoir/manifesto will have readers laughing out loud, blinking back tears, and redefining their views on feminism and the patriarchy. More Than a Woman is a brutally honest, scathingly funny, and absolutely necessary take on the life of the modern woman--and one that only Caitlin Moran can provide.
North American Review was founded in Boston in 1815 and is the oldest literary magazine in the United States. Contributors include important nineteenth-century American writers and thinkers such as Ralph Waldo Emerson, Harriet Beecher Stowe, Frederick Douglass, Edith Wharton, and Charlotte Perkins Gilman; and twentieth-century writers like William Carlos Williams, John Steinbeck, Thomas Wolfe, William Saroyan, and Flannery O’Connor.
This issue from 1914 includes the article "Two Suffrage Mistakes," by Molly Elliot Seawell, an early American historian and writer who was vehemently opposed to women's suffrage. In her stance against suffrage, she believed that women who voted would be subjected to higher taxes, and could be forced to support their husbands. They would also endure higher rates of illiteracy, poverty, and divorce, would be victims of more violence, and were exposed to socialism. She also believed that woman suffrage would lead to a return of African American voting. Seawell extended her anti-suffrage sentiments to other countries, and she condemned militant English suffragists such as Emmeline Pankhurst, whom she characterized as a serial criminal. [Brent Tarter, "Molly Elliot Seawell (1853–1916)," Dictionary of Virginia Biography, Library of Virginia (1998– ), published 2019 (https://www.lva.virginia.gov/public/dvb/bio.php?b=Seawell_Molly_Elliot, accessed February 24, 2021)]
Original wraps; 1" top of spine missing; 1" tear at bottom of spine; small tear middle of spine; edges worn; library stamp very faint in upper right corner of cover; staples rusty; text clean. G
The state of Ohio has produced an impressive number of remarkable women, women who have moved to the forefront of their professions or have enriched their communities or have made a difference in myriad ways. Among the more recognizable names are Toni Morrison, Annie Oakley, Halle Berry, Maya Lin, and Judith Resnick, but there are others as well, less recognizable, perhaps--Florence Ellinwood Allen, Hallie Quinn Brown, and Mary Jobe Akeley--who have made unique and important contributions to our culture.
Although women constitute at least half of the population, they are still largely overlooked or underrepresented in documented history. Profiles of Ohio Women, 1803-2003 makes a substantial step in providing a record of women's achievement. Developed by the Ohio Bicentennial Commission's Advisory Council on Women, this collection profiles a few of the many women who have left their imprint on the state, nation, world, and even outer space. It celebrates and documents the achievements of two hundred women of many races, religions, and regions, who have broken barriers and records, been "firsts," and started movements and institutions. They are leaders and role models who will inspire all Ohioans to reach higher, dream deeper, and achieve what otherwise might seem beyond their possibilities.
Professor Jacqueline Jones Royster presents the historical portraits of these fascinating and memorable women in an accessible and highly illustrated format. Profiles of Ohio Women, 1803-2003 will be a significant legacy of the Ohio Bicentennial and a valuable reference work for years to come.