Narrative Non-fiction

#1 NEW YORK TIMES BESTSELLER - The compelling, inspiring, and comically sublime story of one man's coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed

NAMED ONE OF PASTE'S BEST MEMOIRS OF THE DECADE - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Michiko Kakutani, New York Times - USA Today - San Francisco Chronicle - NPR - Esquire - Newsday - Booklist

Trevor Noah's unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents' indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa's tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man's relationship with his fearless, rebellious, and fervently religious mother--his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother's unconventional, unconditional love.

Praise for Born a Crime

"[A] compelling new memoir . . . By turns alarming, sad and funny, [Trevor Noah's] book provides a harrowing look, through the prism of Mr. Noah's family, at life in South Africa under apartheid. . . . Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author's remarkable mother."--Michiko Kakutani, The New York Times

"[An] unforgettable memoir."--Parade

"What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. . . . What also helped was having a mother like Patricia Nombuyiselo Noah. . . . Consider Born a Crime another such gift to her--and an enormous gift to the rest of us."--USA Today

"[Noah] thrives with the help of his astonishingly fearless mother. . . . Their fierce bond makes this story soar."--People

Profound meditations on life, death, freedom, family, and faith, written by radical Black journalist, Mumia Abu-Jamal, while he was awaiting his execution.

"Uncompromising, disturbing . . . Abu-Jamal's voice has the clarity and candor of a man whose impending death emboldens him to say what is on his mind without fear of consequence."--The Boston Globe

"A brilliant, lucid meditation on the moral obligation of political commitment by a deeply ethical--and deeply wronged--human being. Mumia should be freed, now."--Henry Louis Gates, Jr., Alphonse Fletcher, Jr. University Professor & Director of the Hutchins Center for African & African American Research at Harvard University

"A brilliant, powerful book by a prophetic writer . . . his language glows with an affirming flame."--Jonathan Kozol, author of Death at an Early Age and Rachel and Her Children

Journalist and activist Mumia Abu-Jamal has been imprisoned since 1982 for the killing of a police officer, a crime he steadfastly maintained he did not commit. In 1996, after serving more than a decade on death row, and with the likelihood of execution looming, he began receiving regular visits from members of the Bruderhof spiritual community, a group of refugees from Hitler's Germany. Inspired by these encounters, Mumia began to write a series of personal essays reflecting on his search for spiritual meaning within a society plagued by materialism, hypocrisy, and violence. "Many people say it is insane to resist the system," writes Mumia, "but actually it is insane not to."

This expanded edition of Death Blossoms brings a classic, influential work back into print with a new introduction by Mumia, and includes the entire text of a groundbreaking report by Amnesty International detailing the legal improprieties and chronic injustices that marred his trial.

Praise for Death Blossoms, Expanded Edition

"For years in my classrooms I have watched Death Blossoms do its luminous work. It has awakened the conscience of so many of my student readers. Once awakened, they begin to shoulder the disciplines of its revolutionary knowing, moral passion, historical precision and clarity of reason. No wonder repressive powers seek death for this prisoner of conscience. Alas for them, Mumia still lives. From streets to classrooms and back, Death Blossoms keeps opening up consciences, hearts, and minds for our revolutionary work."--Mark Lewis Taylor, Professor of Theology and Culture at Princeton Theological Seminary, and author of The Theological and the Political: On the Weight of the World

"Targeted by the FBI's COINTELPRO for his revolutionary politics, imprisoned, and sentenced to death, Mumia found freedom in resistance. His reflections here--on race, spirituality, on struggle, and life--illuminate this path to freedom for us all."--Joshua Bloom, co-author with Waldo E. Martin Jr. of Black Against Empire: The History and Politics of the Black Panther Party

"In this revised edition of his groundbreaking work, Death Blossoms, convicted death row prisoner Mumia Abu-Jamal tackles hard and existential questions, searching for God and a greater meaning in a caged life that may be cut short if the state has its way and takes his life. As readers follow Mumia's journey through his poems, short essays, and longer musings, they will learn not only about this singular individual who has retained his humanity despite the ever present threat of execution, but also about themselves and our society: what we are willing to tolerate and who we are willing to cast aside. If there is any justice, Mumia will prevail in his battle for his life and for his freedom."--Lara Bazelon, author of Rectify: The Power of Restorative Justice After Wrongful Conviction

"Mumia Abu-Jamal has challenged us to see the prison at the center of a long history of US oppression, and he has inspired us to keep faith with ordinary struggles against injustice under the most terrible odds and circumstances. Written more than two decades ago, Death Blossoms helps us to see beyond prison walls; it is as timely and as necessary as the day it was published."--Nikhil Pal Singh, founding faculty director of the NYU Prison Education Program, author of Race and America's Long War

"For over three decades, the words of Mumia Abu-Jamal have been tools many young activists have used to connect the dots of empire, racism, and resistance. The welcome reissue of Death Blossoms is a chance to reconnect with Abu-Jamal's prophetic voice, one that needs to be heard now more than ever."--Hilary Moore and James Tracy, co-authors of No Fascist USA!, The John Brown Anti-Klan Committee and Lessons for Today's Movements

A New York Times Bestseller

An Economist Book of the Year

Costa Book Award Winner for Biography

Galaxy National Book Award Winner (New Writer of the Year Award)

Edmund de Waal is a world-famous ceramicist. Having spent thirty years making beautiful pots--which are then sold, collected, and handed on--he has a particular sense of the secret lives of objects. When he inherited a collection of 264 tiny Japanese wood and ivory carvings, called netsuke, he wanted to know who had touched and held them, and how the collection had managed to survive.

And so begins this extraordinarily moving memoir and detective story as de Waal discovers both the story of the netsuke and of his family, the Ephrussis, over five generations. A nineteenth-century banking dynasty in Paris and Vienna, the Ephrussis were as rich and respected as the Rothchilds. Yet by the end of the World War II, when the netsuke were hidden from the Nazis in Vienna, this collection of very small carvings was all that remained of their vast empire.

#1 NEW YORK TIMES BESTSELLER - A powerful true story about the potential for mercy to redeem us, and a clarion call to fix our broken system of justice--from one of the most brilliant and influential lawyers of our time, as seen in the HBO documentary True Justice

"[Bryan Stevenson's] dedication to fighting for justice and equality has inspired me and many others and made a lasting impact on our country."--John Legend

SOON TO BE A MAJOR MOTION PICTURE STARRING MICHAEL B. JORDAN AND JAMIE FOXX - Named One of the Best Books of the Year by The New York Times - The Washington Post - The Boston Globe - The Seattle Times - Esquire - Time

Bryan Stevenson was a young lawyer when he founded the Equal Justice Initiative, a legal practice dedicated to defending those most desperate and in need: the poor, the wrongly condemned, and women and children trapped in the farthest reaches of our criminal justice system. One of his first cases was that of Walter McMillian, a young man who was sentenced to die for a notorious murder he insisted he didn't commit. The case drew Bryan into a tangle of conspiracy, political machination, and legal brinksmanship--and transformed his understanding of mercy and justice forever.

Just Mercy is at once an unforgettable account of an idealistic, gifted young lawyer's coming of age, a moving window into the lives of those he has defended, and an inspiring argument for compassion in the pursuit of true justice.

Winner of the Carnegie Medal for Excellence in Nonfiction - Winner of the NAACP Image Award for Nonfiction - Winner of a Books for a Better Life Award - Finalist for the Los Angeles Times Book Prize - Finalist for the Kirkus Reviews Prize - An American Library Association Notable Book

"Every bit as moving as To Kill a Mockingbird, and in some ways more so . . . a searing indictment of American criminal justice and a stirring testament to the salvation that fighting for the vulnerable sometimes yields."--David Cole, The New York Review of Books

"Searing, moving . . . Bryan Stevenson may, indeed, be America's Mandela."--Nicholas Kristof, The New York Times

"You don't have to read too long to start cheering for this man. . . . The message of this book . . . is that evil can be overcome, a difference can be made. Just Mercy will make you upset and it will make you hopeful."--Ted Conover, The New York Times Book Review

"Inspiring . . . a work of style, substance and clarity . . . Stevenson is not only a great lawyer, he's also a gifted writer and storyteller."--The Washington Post

"As deeply moving, poignant and powerful a book as has been, and maybe ever can be, written about the death penalty."--The Financial Times

"Brilliant."--The Philadelphia Inquirer

NEW YORK TIMES BESTSELLER

Evicted meets Nickel and Dimed in Stephanie Land's memoir about working as a maid, a beautiful and gritty exploration of poverty in America. Includes a foreword by Barbara Ehrenreich.

At 28, Stephanie Land's plans of breaking free from the roots of her hometown in the Pacific Northwest to chase her dreams of attending a university and becoming a writer, were cut short when a summer fling turned into an unexpected pregnancy. She turned to housekeeping to make ends meet, and with a tenacious grip on her dream to provide her daughter the very best life possible, Stephanie worked days and took classes online to earn a college degree, and began to write relentlessly.

She wrote the true stories that weren't being told: the stories of overworked and underpaid Americans. Of living on food stamps and WIC (Women, Infants, and Children) coupons to eat. Of the government programs that provided her housing, but that doubled as halfway houses. The aloof government employees who called her lucky for receiving assistance while she didn't feel lucky at all. She wrote to remember the fight, to eventually cut through the deep-rooted stigmas of the working poor.

Maid explores the underbelly of upper-middle class America and the reality of what it's like to be in service to them. "I'd become a nameless ghost," Stephanie writes about her relationship with her clients, many of whom do not know her from any other cleaner, but who she learns plenty about. As she begins to discover more about her clients' lives-their sadness and love, too-she begins to find hope in her own path.

Her compassionate, unflinching writing as a journalist gives voice to the "servant" worker, and those pursuing the American Dream from below the poverty line. Maid is Stephanie's story, but it's not her alone. It is an inspiring testament to the strength, determination, and ultimate triumph of the human spirit.

A New York Times Book Review Editors' Choice. A 2019 NPR Staff Pick.

"Malcolm is always worth reading; it can be instructive to see how much satisfying craft she brings to even the most trivial article." --Phillip Lopate, TLS

Janet Malcolm's previous collection, Forty-One False Starts: Essays on Artists and Writers, was "unmistakably the work of a master" (The New York Times Book Review). Like Forty-One False Starts, Nobody's Looking at You brings together previously uncompiled pieces, mainly from The New Yorker and The New York Review of Books.

The title piece of this wonderfully eclectic collection is a profile of the fashion designer Eileen Fisher, whose mother often said to her, "Nobody's looking at you." But in every piece in this volume, Malcolm looks closely and with impunity at a broad range of subjects, from Donald Trump's TV nemesis Rachel Maddow, to the stiletto-heel-wearing pianist Yuju Wang, to "the big-league game" of Supreme Court confirmation hearings. In an essay called "Socks," the Pevears are seen as the "sort of asteroid [that] has hit the safe world of Russian Literature in English translation," and in "Dreams and Anna Karenina," the focus is Tolstoy, "one of literature's greatest masters of manipulative techniques."

Nobody's Looking at You concludes with "Pandora's Click," a brief, cautionary piece about e-mail etiquette that was written in the early two thousands, and that reverberates--albeit painfully--to this day.

A NEW YORK TIMES BESTSELLER

As Heard on NPR's This American Life

"Ross Gay's eye lands upon wonder at every turn, bolstering my belief in the countless small miracles that surround us." --Tracy K. Smith, Pulitzer Prize winner and U.S. Poet Laureate

The winner of the NBCC Award for Poetry offers up a spirited collection of short lyric essays, written daily over a tumultuous year, reminding us of the purpose and pleasure of praising, extolling, and celebrating ordinary wonders.

In The Book of Delights, one of today's most original literary voices offers up a genre-defying volume of lyric essays written over one tumultuous year. The first nonfiction book from award-winning poet Ross Gay is a record of the small joys we often overlook in our busy lives. Among Gay's funny, poetic, philosophical delights: a friend's unabashed use of air quotes, cradling a tomato seedling aboard an airplane, the silent nod of acknowledgment between the only two black people in a room. But Gay never dismisses the complexities, even the terrors, of living in America as a black man or the ecological and psychic violence of our consumer culture or the loss of those he loves. More than anything other subject, though, Gay celebrates the beauty of the natural world--his garden, the flowers peeking out of the sidewalk, the hypnotic movements of a praying mantis.

The Book of Delights is about our shared bonds, and the rewards that come from a life closely observed. These remarkable pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight.

In 1772, upon the death of her second husband, Mary Delany arose from her grief, picked up a pair of scissors, and, at the age of seventy-two, created a new art form: mixed-media collage. Over the next decade, Mrs. Delany produced an astonishing 985 botanically correct, breathtaking cut-paper flowers, now housed in the British Museum and referred to as the Flora Delanica. As she tracks the extraordinary life of Delany-friend of George Frideric Handel and Jonathan Swift-internationally acclaimed poet Molly Peacock weaves in delicate parallels in her own life and, in doing so, creates a profound and beautiful examination of the nature of creativity and art. This gorgeously designed book, featuring thirty-five full-color illustrations, is to be devoured as voraciously as one of the court dinners it describes.

Here is Toni Morrison in her own words: a rich gathering of her most important essays and speeches, spanning four decades. These pages give us her searing prayer for the dead of 9/11, her Nobel lecture on the power of language, her searching meditation on Martin Luther King Jr., her heart-wrenching eulogy for James Baldwin. She looks deeply into the fault lines of culture and freedom: the foreigner, female empowerment, the press, money, "black matter(s)," human rights, the artist in society, the Afro-American presence in American literature. And she turns her incisive critical eye to her own work (The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, Paradise) and that of others. An essential collection from an essential writer, The Source of Self-Regard shines with the literary elegance, intellectual prowess, spiritual depth, and moral compass that have made Toni Morrison our most cherished and enduring voice.

This extraordinary work of investigative journalism takes readers inside America's isolated Mormon Fundamentalist communities, where some 40,000 people still practice polygamy. Defying both civil authorities and the Mormon establishment in Salt Lake City, the renegade leaders of these Taliban-like theocracies are zealots who answer only to God.

At the core of Krakauer's book are brothers Ron and Dan Lafferty, who insist they received a commandment from God to kill a blameless woman and her baby girl. Beginning with a meticulously researched account of this appalling double murder, Krakauer constructs a multi-layered, bone-chilling narrative of messianic delusion, polygamy, savage violence, and unyielding faith. Along the way he uncovers a shadowy offshoot of America's fastest growing religion, and raises provocative questions about the nature of religious belief.