Narrative Non-fiction

An improbable journey through the world of strange and mysterious creatures.

All Creatures Weird and Dangerous describes the author's experiences as a veterinarian drawn by chance to care for a variety of cryptozoological creatures. As a practicing veterinarian, the author is called upon, as if by strange forces, to care for a Chupacabra, Sasquatch, Lake Erie's monster Bessie, mermaids and fairies in Newfoundland, and eventually a unicorn in the Highlands of Scotland. Drawing on his experiences as a wildlife rehabilitator and exotic-animal veterinarian, the author cares for these odd creatures, describing his work in accurate medical detail and touching on the importance of compassion and the need to respect all creatures on our planet. An homage to James Herriott's All Creatures Great and Small, while touching on stories equally appropriate for an episode of the X-Files.

Jesse Ball has produced fourteen acclaimed works of deeply empathetic absurdism in poetry and fiction. Now, he offers readers his first memoir, one that showcases his "humane curiosity" (James Wood) and invites the reader into a raw and personal account of love, grief, and memory. Inspired by the memoir Édouard Levé put to paper shortly before his death, Autoportrait is an extraordinarily frank and intimate work from one of America's most brilliant young authors.

The subtle power of Ball's voice conjures the richness of everyday life. On each page, half-remembered moments are woven together with the joys and triumphs--and the mistakes and humiliations, too--that somehow tell us who we are, why we are here. Held at the same height as tragic accounts of illness or death are moments of startling beauty, banality, or humor: I wake in the morning, I sit, I walk long distances. If there is somewhere to swim, I may swim. If I have a bicycle, I will ride it, especially to meet someone. There is no more preparing for me to do, other than preparing for death, and I do that by laughing. Not laughing at death, of course. Laughing at myself.

An extraordinary memoir that reminds us what is possible and builds to the kind of power one might feel reading Anne Carson's Glass Essay, or Joe Brainard's I Remember. Autoportrait will leave you feeling utterly invigorated, inspired, and a little afraid.

For more than twenty-five years, David Sedaris has been carving out a unique literary space, virtually creating his own genre. A Sedaris story may seem confessional, but is also highly attuned to the world outside. It opens our eyes to what is at absurd and moving about our daily existence. And it is almost impossible to read without laughing.

Now, for the first time collected in one volume, the author brings us his funniest and most memorable work. In these stories, Sedaris shops for rare taxidermy, hitchhikes with a lady quadriplegic, and spits a lozenge into a fellow traveler's lap. He drowns a mouse in a bucket, struggles to say "give it to me" in five languages, and hand-feeds a carnivorous bird.

But if all you expect to find in Sedaris's work is the deft and sharply observed comedy for which he became renowned, you may be surprised to discover that his words bring more warmth than mockery, more fellow-feeling than derision. Nowhere is this clearer than in his writing about his loved ones. In these pages, Sedaris explores falling in love and staying together, recognizing his own aging not in the mirror but in the faces of his siblings, losing one parent and coming to terms--at long last--with the other.

Taken together, the stories in TheBest of Me reveal the wonder and delight Sedaris takes in the surprises life brings him. No experience, he sees, is quite as he expected--it's often harder, more fraught, and certainly weirder--but sometimes it is also much richer and more wonderful.

Full of joy, generosity, and the incisive humor that has led David Sedaris to be called "the funniest man alive" (Time Out New York), The Best of Me spans a career spent watching and learning and laughing--quite often at himself--and invites readers deep into the world of one of the most brilliant and original writers of our time.

For centuries scientists have written off cannibalism as a bizarre phenomenon with little biological significance. Its presence in nature was dismissed as a desperate response to starvation or other life-threatening circumstances, and few spent time studying it. A taboo subject in our culture, the behavior was portrayed mostly through horror movies or tabloids sensationalizing the crimes of real-life flesh-eaters. But the true nature of cannibalism--the role it plays in evolution as well as human history--is even more intriguing (and more normal) than the misconceptions we've come to accept as fact.

In Cannibalism: A Perfectly Natural History, zoologist Bill Schutt sets the record straight, debunking common myths and investigating our new understanding of cannibalism's role in biology, anthropology, and history in the most fascinating account yet written on this complex topic. Schutt takes readers from Arizona's Chiricahua Mountains, where he wades through ponds full of tadpoles devouring their siblings, to the Sierra Nevadas, where he joins researchers who are shedding new light on what happened to the Donner Party--the most infamous episode of cannibalism in American history. He even meets with an expert on the preparation and consumption of human placenta (and, yes, it goes well with Chianti).

Bringing together the latest cutting-edge science, Schutt answers questions such as why some amphibians consume their mother's skin; why certain insects bite the heads off their partners after sex; why, up until the end of the twentieth century, Europeans regularly ate human body parts as medical curatives; and how cannibalism might be linked to the extinction of the Neanderthals. He takes us into the future as well, investigating whether, as climate change causes famine, disease, and overcrowding, we may see more outbreaks of cannibalism in many more species--including our own.

Cannibalism places a perfectly natural occurrence into a vital new context and invites us to explore why it both enthralls and repels us.