Nonfiction
London: Hanover Gallery, 1971. Accordion-bound paperback artist's book; gouache drawings by William Scott reproduced as part of the 1970-1970 series A Girl Surveyed exhibited at the Hanover Gallery, March-April 1971; fifty copies were numbered and signed - this copy is not numbered or signed. Light smudges on covers; spine creased; interior clean and bright. G
It's 1943. As World War II commands the world's stage, nine-teen year old Tedd Burr struggles with his own private battle-gender identity. After receiving a draft notice, Tedd reaches out in desperation to Henry Bellamann, author of the best-selling 1940 novel Kings Row, for advice. Tedd imagines that the author who wrote sympathetically in his novel about a boy who was "too pretty for a boy" might be able to help him in some way. And he's right. Henry responds, initiating a warm correspondence that deepens into a relationship that lasts until Henry's death in 1945. This book publishes for the first time all the letters from Tedd and Henry's correspondence.
A hate crime strikes the house of Max, Brian, and their newly adopted son Donte. Clinging to his idealism, Max helps his family navigate this difficult time with grit, faith, and acceptance. This novel was written by Malcolm Varner of Grove City, Ohio who is a social worker and mental health advocate. He received his undergraduate degree from Oberlin and his MSSA from Case Western Reserve University.
One ordinary day, a caseworker from the Department of Children and Families knocked on the Hays family's door to investigate an anonymous complaint about the upbringing of their transgender child. It was this knock, this threat, that began the family's journey out of the Bible Belt but never far from the hate and fear resting at the nation's core.
Self-aware and intimate, Letter to My Transgender Daughter asks us all to love better, not just for the sake of Hays's child but for children everywhere enduring injustice and prejudice just as they begin to understand themselves. Letter to My Transgender Daughter is a call to action, an ode to community, a plea for empathy, a hope for a better future. Letter to My Transgender Daughter is a love letter to a child who has always known exactly who she is--and who is waiting for the rest of the world to catch up.
Born in rural Kentucky, Mickey Hess grew up listening to the militant rap of Public Enemy while living in a place where the state song still included the word "darkies." Listening to hip-hop made Hess think about what it meant to be white, while the environment in small-town Kentucky encouraged him to avoid or even mock such self-examination.
With America's history of cultural appropriation, we've come to mistrust white people who participate deeply in black culture, but backing away from black culture is too easy a solution. As a white professor with a longstanding commitment to teaching hip-hop music and culture, Hess argues that white people have a responsibility to educate themselves by listening to black voices and then teach other whites to face the ways they benefit from racial injustices.
In our fraught moment, A Guest in the House of Hip Hop offers a point of entry for readers committed to racial justice, but uncertain about white people's role in relation to black culture.
ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly "Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance."--Brit Bennett, #1 New York Times bestselling author of The Vanishing Half "I was a devil in other countries, and I was a little devil in America, too." Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur "Genius Grant" Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines--whether it's the twenty-seven seconds in "Gimme Shelter" in which Merry Clayton wails the words "rape, murder," a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt--has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib's own personal history of love, grief, and performance. Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space--from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio. WINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE - FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist
THE CLASSIC NATIONAL BESTSELLER
"A wonderful, splendid book--a book that should be read by every American, student or otherwise, who wants to understand his country, its true history, and its hope for the future." -Howard Fast
Historian Howard Zinn's A People's History of the United States chronicles American history from the bottom up, throwing out the official narrative taught in schools--with its emphasis on great men in high places--to focus on the street, the home, and the workplace.
Known for its lively, clear prose as well as its scholarly research, it is the only volume to tell America's story from the point of view of--and in the words of--America's women, factory workers, African-Americans, Native Americans, the working poor, and immigrant laborers. As Zinn shows, many of our country's greatest battles--the fights for a fair wage, an eight-hour workday, child-labor laws, health and safety standards, universal suffrage, women's rights, racial equality--were carried out at the grassroots level, against bloody resistance.
Covering Christopher Columbus's arrival through President Clinton's first term, A People's History of the United States features insightful analysis of the most important events in our history. This edition also includes an introduction by Anthony Arnove, who wrote, directed, and produced The People Speak with Zinn and who coauthored, with Zinn, Voices of a People's History of the United States.
Johannes Krause is the director of the Max Planck Institute for Evolutionary Anthropology and a brilliant pioneer in the field of archaeogenetics--archaeology augmented by DNA sequencing technology--which has allowed scientists to reconstruct human history reaching back hundreds of thousands of years before recorded time. In this surprising account, Krause and journalist Thomas Trappe rewrite a fascinating chapter of this history, the peopling of Europe, that takes us from the Neanderthals and Denisovans to the present. We know now that a wave of farmers from Anatolia migrated into Europe 8,000 years ago, essentially displacing the dark-skinned, blue-eyed hunter-gatherers who preceded them. This Anatolian farmer DNA is one of the core genetic components of people with contemporary European ancestry. Archaeogenetics has also revealed that indigenous North and South Americans, though long thought to have been East Asian, also share DNA with contemporary Europeans. Krause and Trappe vividly introduce us to the prehistoric cultures of the ancient Europeans: the Aurignacians, innovative artisans who carved flutes and animal and human forms from bird bones more than 40,000 years ago; the Varna, who buried their loved ones with gold long before the Pharaohs of Egypt; and the Gravettians, big-game hunters who were Europe's most successful early settlers until they perished in the ice age. Genetics has earned a reputation for smuggling racist ideologies into science, but cutting-edge science makes nonsense of eugenics and "pure" bloodlines. Immigration and genetic exchanges have always defined our species; who we are is a question of culture, not biological inheritance. This revelatory book offers us an entirely new way to understand ourselves, both past and present.