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NOW THE ACCLAIMED HBO SERIES GAME OF THRONES--THE MASTERPIECE THAT BECAME A CULTURAL PHENOMENON

Winter is coming. Such is the stern motto of House Stark, the northernmost of the fiefdoms that owe allegiance to King Robert Baratheon in far-off King's Landing. There Eddard Stark of Winterfell rules in Robert's name. There his family dwells in peace and comfort: his proud wife, Catelyn; his sons Robb, Brandon, and Rickon; his daughters Sansa and Arya; and his bastard son, Jon Snow. Far to the north, behind the towering Wall, lie savage Wildings and worse--unnatural things relegated to myth during the centuries-long summer, but proving all too real and all too deadly in the turning of the season.

Yet a more immediate threat lurks to the south, where Jon Arryn, the Hand of the King, has died under mysterious circumstances. Now Robert is riding north to Winterfell, bringing his queen, the lovely but cold Cersei, his son, the cruel, vainglorious Prince Joffrey, and the queen's brothers Jaime and Tyrion of the powerful and wealthy House Lannister--the first a swordsman without equal, the second a dwarf whose stunted stature belies a brilliant mind. All are heading for Winterfell and a fateful encounter that will change the course of kingdoms.

Meanwhile, across the Narrow Sea, Prince Viserys, heir of the fallen House Targaryen, which once ruled all of Westeros, schemes to reclaim the throne with an army of barbarian Dothraki--whose loyalty he will purchase in the only coin left to him: his beautiful yet innocent sister, Daenerys.

WINNER OF THE PULITZER PRIZE
From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.

Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure's reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum's most valuable and dangerous jewel.

In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure's converge.

Doerr's "stunning sense of physical detail and gorgeous metaphors" (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, a National Book Award finalist, All the Light We Cannot See is a magnificent, deeply moving novel from a writer "whose sentences never fail to thrill" (Los Angeles Times).

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From the award-winning author of The Feral Detective and Motherless Brooklyn comes an utterly original post-collapse yarn about two siblings, the man that came between them, and a nuclear-powered super car.

The Arrest isn't post-apocalypse. It isn't a dystopia. It isn't a utopia. It's just what happens when much of what we take for granted--cars, guns, computers, and airplanes, for starters--quits working. . . .

Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn't hurt.

Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her organic farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Todbaum has spent the Arrest smashing his way across a fragmented and phantasmagorical United States, trailing enmities all the way. Plopping back into the siblings' life with his usual odious panache, his motives are entirely unclear. Can it be that Todbaum wants to produce one more extravaganza? Whatever he's up to, it may fall to Journeyman to stop him.

Written with unrepentant joy and shot through with just the right amount of contemporary dread, The Arrest is speculative fiction at its absolute finest.

A New York Times Bestseller
A Washington Post Bestseller
A Los Angeles Times Bestseller
Named a "Best Essay Collection of the Decade" by Literary Hub
A Book Riot "Favorite Summer Read of 2020"
A Food Tank Fall 2020 Reading Recommendation

Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass, reissued in honor of the fortieth anniversary of Milkweed Editions, celebrates the book as an object of meaning that will last the ages. Beautifully bound with a new cover featuring an engraving by Tony Drehfal, this edition includes a bookmark ribbon, a deckled edge, and five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book--gentle, simple, tactile, beautiful, even sacred--and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants.

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert).

Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings--asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass--offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

A candid and fierce middle grade novel about sisterhood and sexual abuse, by Newbery Honor winner and #1 New York Times best seller Kimberly Brubaker Bradley, author of The War that Saved My Life

Kirkus Prize Finalist
Boston Globe Best Book of the Year
Horn Book Fanfare Best Book of the Year
School Library Journal Best Book of the Year
Booklist Best Book of the Year
Kirkus Best Book of the Year
BookPage Best Book of the Year
New York Public Library Best Book of the Year
Chicago Public Library Best Book of the Year
A Junior Library Guild selection

Fighting Words is raw, it is real, it is necessary, a must-read for children and their adults--a total triumph in all ways. --Holly Goldberg Sloan, New York Times bestselling author of Counting by 7s

Ten-tear-old Della has always had her older sister, Suki: When their mom went to prison, Della had Suki. When their mom's boyfriend took them in, Della had Suki. When that same boyfriend did something so awful they had to run fast, Della had Suki. Suki is Della's own wolf--her protector. But who has been protecting Suki? Della might get told off for swearing at school, but she has always known how to keep quiet where it counts. Then Suki tries to kill herself, and Della's world turns so far upside down, it feels like it's shaking her by the ankles. Maybe she's been quiet about the wrong things. Maybe it's time to be loud.

In this powerful novel that explodes the stigma around child sexual abuse and leavens an intense tale with compassion and humor, Kimberly Brubaker Bradley tells a story about two sisters, linked by love and trauma, who must find their own voices before they can find their way back to each other.

A book about resilience, strength and healing. --New York Times Book Review
One of the most important books ever written for kids.--Colby Sharp of Nerdy Book Club
One for the history books....One of the best of the year.--Betsy Bird for A Fuse #8 Production/SLJ
Gripping. Life-changing...I am awe-struck.--Donna Gephart, author of Lily and Dunkin
Compassionate, truthful, and beautiful.--Elana K. Arnold, author of Damsel
I am blown away. [This] may be Kimberly Brubaker Bradley's best work yet.--Barbara Dee, author of Maybe He Just Likes You
A book that lets [kids] know they have never been alone. And never will be. --Kat Yeh, author of The Truth About Twinkie Pie
Meets the criteria of great children's literature that [will] resonate with adults too.--Bitch Media
* At once heartbreaking and hopeful.--Kirkus (starred review)
* Honest [and] empowering...An important book for readers of all ages.--SLJ (starred review)
* Sensitive[, ] deft, and vivid.--BCCB (starred review)
* Prepare to read furiously.--Booklist (starred review)
* An essential, powerful mirror and window for any reader.--PW (starred review)
* Enlightening, empowering and--yes--uplifting. --BookPage (starred review)
* Unforgettable. --The Horn Book (starred review)

From the Caldecott Honor-winning creator of Home and Du Iz Tak? comes a striking tale of a wholly extraordinary room where everything is a half.

The light of the half moon
Shines down on the half room . . .

The half room is full of half things. A half chair, a half cat, even half shoes--all just as nice as whole things. When half a knock comes on half a door, who in the world could it be? With inventive flair, Caldecott Honor winner Carson Ellis explores halves and wholes in an ingenious and thought-provoking picture book. Ink and gouache illustrations featuring wry detail and velvety textures conjure a dreamlike mood while leaving space for imagining. A celebration of the surreal and the serendipitous and the beauty of the two together, this brilliant picture book will have readers seeing halves with whole new eyes.

NEW YORK TIMES BESTSELLER - The bestselling author of The Paris Wife brings to life the story of Martha Gellhorn--a fiercely independent, ambitious woman ahead of her time, who would become one of the greatest war correspondents of the twentieth century.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post - New York Public Library - Bloomberg - Real Simple

In 1937, twenty-eight-year-old Martha Gellhorn travels alone to Madrid to report on the atrocities of the Spanish Civil War and becomes drawn to the stories of ordinary people caught in the devastating conflict. It's her chance to prove herself a worthy journalist in a field dominated by men. There she also finds herself unexpectedly--and unwillingly--falling in love with Ernest Hemingway, a man on his way to becoming a legend.

On the eve of World War II, and set against the turbulent backdrops of Madrid and Cuba, Martha and Ernest's relationship and careers ignite. But when Ernest publishes the biggest literary success of his career, For Whom the Bell Tolls, they are no longer equals, and Martha must forge a path as her own woman and writer.

Heralded by Ann Patchett as "the new star of historical fiction," Paula McLain brings Gellhorn's story richly to life and captures her as a heroine for the ages: a woman who will risk absolutely everything to find her own voice.

Praise for Love and Ruin

"In this heart-tugging follow-up [to The Paris Wife], we meet Martha Gellhorn, a correspondent during the Spanish Civil War, who was the third--and perhaps most intriguing--of [Hemingway's] wives. The title says it all."--People

"Propulsive . . . highly engaging . . . McLain does an excellent job portraying a woman with dreams who isn't afraid to make them real. . . . Her work around the world . . . is presented in meticulous, hair-raising passages. . . . The book is fueled by her questing spirit, which asks, Why must a woman decide between being a war correspondent and a wife in her husband's bed?"--The New York Times Book Review

"[The] scenes of professional rivalry and seesawing imbalance are some of McLain's best. . . . McLain's legions of fans will relish the inspiration of a gutsy woman who discovers she doesn't need a man at her side, after all."--The Boston Globe

Like Dylan Thomas' "Under Milk Wood" and Sherwood Anderson's "Winesburg, Ohio, " Brian Doyle's stunning fiction debut brings a town to life through the jumbled lives and braided stories of its people.

In a small fictional town on the Oregon coast there are love affairs and almost-love-affairs, mystery and hilarity, bears and tears, brawls and boats, a garrulous logger and a silent doctor, rain and pain, Irish immigrants and Salish stories, mud and laughter. There's a Department of Public Works that gives haircuts and counts insects, a policeman addicted to Puccini, a philosophizing crow, beer and berries. An expedition is mounted, a crime committed, and there's an unbelievably huge picnic on the football field. Babies are born. A car is cut in half with a saw. A river confesses what it's thinking. . .

It's the tale of a town, written in a distinct and lyrical voice, and readers will close the book more than a little sad to leave the village of Neawanaka, on the wet coast of Oregon, beneath the hills that used to boast the biggest trees in the history of the world.

An instant New York Times Bestseller!

Longlisted for the 2019 National Book Award for Fiction, the Carnegie Medal in Fiction, the 2019 Aspen Words Literacy Prize, and the PEN/Hemingway Debut Novel Award

Shortlisted for the 2019 Center for Fiction First Novel Prize

Winner of the 2019 New England Book Award for Fiction!

Named one of the most anticipated books of 2019 by Vulture, Entertainment Weekly, Buzzfeed, Los Angeles Times, Boston Globe, Oprah.com, Huffington Post, The A.V. Club, Nylon, The Week, The Rumpus, The Millions, The Guardian, Publishers Weekly, and more.

"A lyrical work of self-discovery that's shockingly intimate and insistently universal...Not so much briefly gorgeous as permanently stunning." --Ron Charles, The Washington Post

Poet Ocean Vuong's debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born -- a history whose epicenter is rooted in Vietnam -- and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.

With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

Named a Best Book of the Year by:
GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!

"Purple America" brings us a family in extremis: a son is summoned home to care for his mother, who has long been sick, after she is abandoned by her husband. Over the course of a single weekend night, the son, Hex Raitliffe, sees his good intentions annihilated by a phalanx of opposing forces - not least of them his own predilection for strong drink. Hex confronts his stepfather, stirs up the heat of an old attraction, and tries to accommodate his mother's demands. What begins as a mission of mercy leads, one fatal step after another, to confusion, debauchery, old wounds reopened, and the stinging revelations that only a visit home can bring. The story arrives in the voices of Hex, his mother, his stepfather, and others whose paths they cross this night. Through their thoughts and their memories we see also, amazingly, a portrait of the family in its heyday: the joy of new love, the innocence of young families, and the optimism that brings people together with the idea of creating something new. Even as Hex reels through the catastrophic present, amid tears and confrontations and the shadow of death, the novel shows with great tenderness the beauty of everyday longings for shelter, for company, for family, for peace.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR

ONE OF THE TOP TEN BEST BOOKS OF THE YEAR-- PUBLISHER'S WEEKLY

ONE OF THE BEST BOOKS OF THE YEAR--VULTURE

"Daisy Johnson is the demon offspring of Shirley Jackson and Stephen King." --The Observer

"Builds a gothic plot to an artful and shocking climax."--The New York Times

"Ends with a magnificent twist." --The Boston Globe

From a Booker Prize finalist and international literary star: a blazing portrait of one darkly riveting sibling relationship, from the inside out.

One of her generation's most intriguing authors (Entertainment Weekly), Daisy Johnson is the youngest writer to have been short-listed for the Man Booker Prize. Now she returns with Sisters, a haunting story about two sisters caught in a powerful emotional web and wrestling to understand where one ends and the other begins.

Born just ten months apart, July and September are thick as thieves, never needing anyone but each other. Now, following a case of school bullying, the teens have moved away with their single mother to a long-abandoned family home near the shore. In their new, isolated life, July finds that the deep bond she has always shared with September is shifting in ways she cannot entirely understand. A creeping sense of dread and unease descends inside the house. Meanwhile, outside, the sisters push boundaries of behavior--until a series of shocking encounters tests the limits of their shared experience, and forces shocking revelations about the girls' past and future.

Written with radically inventive language and imagery by an author whose work has been described as entrancing (The New Yorker), a force of nature (The New York Times Book Review), and weird and wild and wonderfully unsettling (Celeste Ng), Sisters is a one-two punch of wild fury and heartache--a taut, powerful, and deeply moving account of sibling love and what happens when two sisters must face each other's darkest impulses.

"Text Me has the thrills and laughs of a romantic comedy, but with an inverted message: 'There just isn't only one love story in our lives, ' Schaefer writes. If you're lucky, friends will be the protagonists in these multiple love stories. It's high time that we start seeing it that way."--NPR.org

A personal and sociological examination--and ultimately a celebration--of the evolution of female friendship in pop culture and modern society

For too long, women have been told that we are terrible at being friends, that we can't help being cruel or competitive, or that we inevitably abandon each other for romantic partners. But we are rejecting those stereotypes and reclaiming the power of female friendship.

In Text Me When You Get Home, journalist Kayleen Schaefer interviews more than one hundred women about their BFFs, soulmates, girl gangs, and queens while tracing this cultural shift through the lens of pop culture. Our love for each other is reflected in Abbi and Ilana, Issa and Molly, #squadgoals, the acclaim of Girls Trip and Big Little Lies, and Galentine's Day.

Schaefer also includes her own history of grappling with a world that told her to rely on men before she realized that her true source of support came from a strong tribe of women. Her personal narrative and celebration of her own relationships weaves throughout the evolution of female friendship on-screen, a serious look at how women have come to value one another and our relationships.

Text Me When You Get Home is a validation that has never existed before. A thoughtful, heart-soaring, deeply reported look at how women are taking a stand for their friendships and not letting go.

A bestseller in France and winner of Japan's Kiyama Shohei Literary Award, The Guest Cat, by the acclaimed poet Takashi Hiraide, is a subtly moving and exceptionally beautiful novel about the transient nature of life and idiosyncratic but deeply felt ways of living. A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife -- the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens....

As Kenzaburo Oe has remarked, Takashi Hiraide's work "really shines." His poetry, which is remarkably cross-hatched with beauty, has been acclaimed here for "its seemingly endless string of shape-shifting objects and experiences, whose splintering effect is enacted via a unique combination of speed and minutiae."

In this heartfelt and powerfully affecting coming of age story, a neurodivergent 7th grader is determined to find her missing best friend before it's too late.

Things never seem to go as easily for thirteen-year-old Frankie as they do for her sister, Tess. Unlike Tess, Frankie is neurodivergent. In her case, that means she can't stand to be touched, loud noises bother her, she's easily distracted, she hates changes in her routine, and she has to go see a therapist while other kids get to hang out at the beach. It also means Frankie has trouble making friends. She did have one--Colette--but they're not friends anymore. It's complicated.

Then, just weeks before the end of seventh grade, Colette unexpectedly shows up at Frankie's door. The next morning, Colette vanishes. Now, after losing Colette yet again, Frankie's convinced that her former best friend left clues behind that only she can decipher, so she persuades her reluctant sister to help her unravel the mystery of Colette's disappearance before it's too late.

A powerful story of friendship, sisters, and forgiveness, Tornado Brain is an achingly honest portrait of a young girl trying to find space to be herself.

Bastard Out of Carolina, nominated for the 1992 National Book Award for fiction, introduced Dorothy Allison as one of the most passionate and gifted writers of her generation. Now, in Two or Three Things I Know for Sure, she takes a probing look at her family's history to give us a lyrical, complex memoir that explores how the gossip of one generation can become legends for the next.

Illustrated with photographs from the author's personal collection, Two or Three Things I Know for Sure tells the story of the Gibson women -- sisters, cousins, daughters, and aunts -- and the men who loved them, often abused them, and, nonetheless, shared their destinies. With luminous clarity, Allison explores how desire surprises and what power feels like to a young girl as she confronts abuse.

As always, Dorothy Allison is provocative, confrontational, and brutally honest. Two or Three Things I Know for Sure, steeped in the hard-won wisdom of experience, expresses the strength of her unique vision with beauty and eloquence.